Diane says: “Latest Pixar is bedeviled by a MacGuffin chase that makes it generic. It’s the first half hour of the film, the beautifully moving story of a couple passing from youth to old age and relinquished dreams, that makes
Jason says: “It is easy to make fun of the art world, especially those on the edge (or fringe, depending on how you feel about it). It’s a little harder to do it well; just because something is mockable doesn’t
Jason says: “UNMISTAKEN CHILD is an example of my favorite sort of documentary, the fly-on-the-wall film that looks and feels like a narrative feature. It tells its story by marshaling extraordinary access and patience, rather than cutting cutting away to
Barbara says: “Watching TYSON and LAGERFELD CONFIDENTIAL within a day of each other was an interesting experience. The one attribute that the two subjects seem to share is self awareness although Tyson came by his after just about ruining his
Peg says: “This odd, often bleak little film starring Joaquin Phoenix and Gwyneth Paltrow stumbles as it starts but eventually settles into an absorbing character driven drama. Not quite a love story, this is more a narrative of surviving a
Jason says: “I considered skipping the 20TH CENTURY BOYS double feature at Fantasia, not out of disinterest or fear that it wouldn’t be any good, but because the weeks that translations of Naoki Urusawa’s manga are released are the ones
Jeff says: “A young Kazakh man returns to the steppe after serving as a diver in the Russian navy, dreaming of his own yurt, a pretty wife, and a prosperous flock of sheep under a starry sky. Alas, the only
Jason says: “TRUE ADOLESCENTS is a small-budgeted independent film that’s just a swift kick or two from the mainstream. Yes, the execution is mostly what one would expect from the recent wave of chatty, self-examining indie filmmakers, but the basic
Jason says: “TRUCKER is a working-class drama, and that may be a factor in why it didn’t get released on more screens. Dig into it a little, and it’s similar to Up in the Air – a story about a
Jason says: “As much as I enjoyed South by Southwest, I must admit that I wish I had seen more of Austin. I bought a guidebook but never cracked it open, and thus my experience with the city is more
Diane says: “TREELESS MOUNTAIN is a Korean film about two little girls whose mother dumps them with relatives. The seven- and five-year-old leads (no acting experience) are just extraordinary, as is American director So Yong Kim for bringing out these
Jason says: “A TOWN CALLED PANIC hit me just right tonight; it might not have on another day. It is, you see, an extraordinarily silly animated film, and sometimes one just doesn’t feel like silliness. Of course, those times may
Jason says: “Anthology films like TOKYO ONLYPIC should probably not be graded on how good they are as a whole, but more on how good the best segments are, and how man segments should be in that group. On those
Jason says: “Typically, anthology films like TOKYO! will focus on looking at a subject, whether that be an idea or (as in recent projects like PARIS, JE T’AIME) a city from multiple angles to see it as a whole, generally
Thom says: “Everyone will be familiar with Yakusho from his handsome, athletic, lead performance in the great Japanese film SHALL WE DANCE. Here, in his first try as a director & script writer, he more than ably directs himself and
Diane says: “This Spanish pic (Nacho Vigalondo, director), still rumored to be up for a remake by David Cronenberg, is a low-budget horror/time-travel puzzle. Set-up got my interest, midpoint I was thinking, ‘This is a pretty silly movie,’ but last
Jason says: “One night is just enough time. It’s enough time to fall in love (or out of it), enough time to get into trouble, and enough time to come to a decision. A lot can change in one night,
Jason says: “I wish I could take credit for this line, but it was the lady in the next seat over who turned to me after the Fantasia screening of THIRST and said ‘isn’t it cool to see a vampire
Michael says: “Who would have thought that a documentary on the life of Bertold Brecht, politics, and the rehearsals and staging of ‘Mother Courage and Her Children’ in Central Park starring Meryl Streep would make such compelling theater? Well we
Diane says: “A hodgepodge from Coppola deals with creative genius and fraternal rivalry. The unevenness shows in the personnel: one character is wonderfully warm and realistic; a few are absurd; another is full of bombast, signifying nothing. Lead Vince Gallo