Bruce says: “Inspired by Plato’s statement ‘The unexamined life is not worth living…,’ Astra Taylor has made an intellectually challenging film that is a joy while at the same time not completely satisfying. Through the course of EXAMINED LIFE she
Bruce says: “Anyone who loves the theatre will probably like this enjoyable, yet not altogether satisfactory, film. EVERY LITTLE STEP follows the audition and casting process for a 2006 Broadway revival of ‘A Chorus Line.’ When the producers decided to
Thom says: “This Japanese anime freebie from the good folks at Chlotrudis was a shocking disappointment. Admittedly, I’m not the biggest fan of anime but this was hopelessly derivative. Adapted from the Japanese television success “Shin seiki evangerion” I can’t
Jason says: “It’s a terrible pun with which to lead off a review of a jailbreak movie, but in this case it is literally true: THE ESCAPIST hits the ground running. “The movie kicks off with the sound of alarms
Bruce says: “Reprising his role of Quentin Crisp from THE NAKED CIVIL SERVANT, John Hurt appears so comfortable in Crisp’s shoes at times it is difficult to remember this film is not a documentary. Hurt plays Crisp as though he
Michael says: “Geoffrey Smith’s documentary THE ENGLISH SURGEON is a surprisingly powerful and effective film offering a glimpse into the life of English neurosurgeon Henry Marsh who travels to the Ukraine to help his colleague Igor Kurilets struggling to help
Thom says: “It’s such a dreadful shame that my last two films at TIFF were not worth seeing. This was another apocalyptic film about a virus that’s killing the entire world population. It’s a road film about a married man
Michael says: “Danish director Lone Scherfig’s latest film (after scoring big with Chlotrudis with ITALIAN FOR BEGINNERS and WILBUR WANTS TO KILL HIMSELF), is an adaptation of a British memoir about a young girl preparing for University at a private
Jason says: “For a movie about a great inventor, EDISON AND LEO is curiously lacking in spark. There are moments of quirky inspiration, but they’re quickly followed by fairly uninspired bits of meanness, ultimately wasting some fine animation. “George T.
Bruce says: “Costsa-Gavras’s reputation as a master filmmaker was made in 1969 with the dazzling Z, a film about totalitarian rule in Greece. His stance on fascist rule was amplified with STATE OF SIEGE and MISSING, the two politically charged
Bruce says: “Noel Coward’s magnificent plays have been source material for the screen since films were silent. In fact, the only other English speaking version of EASY VIRTUE was made by Alfred Hitchcock in 1928 (a Spanish version appeared on
Jason says: “Although reasonable people may disagree on just what constitutes ‘good freaky’ versus ‘bad freaky,’ they will most likely acknowledge that there is a difference. Many of those familiar with the work of Korean auteur Kim Ki-duk will further
Diane says: “IL DIVO is difficult for Americans to understand. One has to know the Italian political scene to appreciate who the actors are and the machinations. Reading subtitles for the Italian dialogue doesn’t leave time to catch the original
Thom says: “This is an unusual film of power, rage, and grace. It’s an apocalyptic vision of a bleak & deserted world. A couple is wandering through a dreary landscape ostensibly looking for a way to a river that if
Jason says: “DIARY OF A NYMPHOMANIAC is a bit of an anti-romance. In most movies, the main character is led along the path which shows that sex without True Love is ultimately empty, whereas in this one, pretty much every
Jason says: “DEPARTURES feels like the sort of film that wins the Academy Award for best foreign language feature. It’s a good movie, just Japan-specific enough that the voters can feel like they’re awarding another culture, but accessible and mainstream
Bruce says: “Too often a documentary does not present an equitable view of its subject. Filmmaker Yoav Shamir seems to have gone out of his way to present a balanced view of anti-Semitism in DEFAMATION. Nonetheless, his efforts seem to
Jason says: “The zombie film, when you get right down to it, is really not that malleable a form. The plots are more or less the same, just differing in setting, detail, and tone. So it’s not exactly surprising that
Jason says: “DEAD SNOW doesn’t need a whole lot of reviewing. It’s the movie with the zombie Nazis, and if the mention of the phrase ‘zombie Nazis’ makes a person say ‘tell me more,’ what he really means is ‘tell
Beth Caldwell says: “LA DANSE is a beautiful, beautiful film. Frankly this is what the category ‘best cinematography’ was made to represent. I’m particularly impressed that the cinematography was so rich and diverse in a place where the camera needed