Thom says: “This is the 2nd time I’ve seen this film which leads me to (unverifiable so far) believe that this is the 2nd time around for this film as a screener. Ostensibly it’s a film made by the daughter about
Jason says: “‘Pelada’ means ‘naked’ in Portugese, but this is not that kind of movie. Instead, the title refers to a slang term for pick-up soccer, fitting because when played that way, it’s often the game stripped down to its
Thom says: “For shame on the movie’s producers inability to get this released in theaters, especially because super-talented Cillian Murphy deserves all sorts of awards for his spectacular work here. Yes, it’s reminiscent of Jeremy Iron’s work in David Cronenberg’s
Jason says: “Most documentary features that get any sort of play beyond local public television do because not only are they generally well-made, but they have important subject matter; someone programming a film festival or a boutique movie house decides
Jason says: “I was pretty fond of filmmaker Michel Hazanavicius’s previous comedic revival of the OSS 117 franchise and character (OSS 117 CAIRO, NEST OF SPIES); it did a lot of things right and did them in ways that an
Thom says: “I’ll easily admit that I’ve been a huge fan of many of Jordan’s films including THE CRYING GAME, THE BUTCHER BOY, MONA LISA, BREAKFAST ON PLUTO, & THE END OF THE AFFAIR, but he’s also bombed with some entries (INTERVIEW
Thom says: “I don’t feel all that strong in criticizing this film, but I simply couldn’t’t absorb it. Both Jandal & Hamdan have past connections to Al Qaeda (Jandal was Osama bin Laden’s personal bodyguard from 1996-2000 & remains a
Jason says: “Is ballet the least-appreciated major art form in America? To perform it demands the physical fitness and training of a professional athlete and the skills a professional actor. The music is often lively, and the choreography is intricate,
Jason says: “I saw a poster advertising a mini festival of ‘climbing movies’ in the same theater where I saw NORTH FACE, and the fact that most of us can instantly deduce what that means probably counts as a strike
Jason says: “MY NORMALl is thoroughly enjoyable, but I’ve got to be honest: It might come off as just another talky indie/mumblecore film if half the cast of characters were not lesbian dominatrices. “Take Natalie (Nicole LaLiberte); she’s a lesbian
Jason says: “NO ONE KNOWS ABOUT PERSIAN CATS doesn’t initially look remarkable; indeed, midway through it, it appears slight of frame but bloated by music videos; interesting, but trying to be two things and doing neither well. But it eventually
Jason says: “NEVER LET ME GO is the sort of science fiction that tends to hide its genre or go by another name – ‘speculative fiction’ or ‘slipstream’ – because it wants to associate itself with a different audience. Science
Jason says: “Aw, nuts. Granted, it’s not as if I’m likely to ever actually be able to produce Alfred Hitchcock and the Three Investigators movies, but it’s on my list of things that I would like to do if I
Jason says: “The first two credits to appear on the screen in MY SON, MY SON, WHAT HAVE YE DONE are ‘David Lynch Presents’ and ‘A Film By Werner Herzog.’ If you recognize the names, you know that means there’s
Jason says: “This shit needs to stop. “Shouldn’t young filmmakers with no money have moved on from spoofing bad 1950s sci-fi by now? It’s too easy a target if the intent is to skewer, and if the goal is to
Jason says: “Bong Joon-ho’s last film, THE HOST, was a great big special effects extravaganza that set the record for ticket sales in South Korea. In many cases, one would expect a director to try and top that in his
Jason says: “I LOVE YOU PHILLIP MORRIS opens with a playful variant on the standard disclaimer, something along the lines of ‘This all happened. It really did!’ It’s the sort of movie that might get dismissed as ridiculous or improbable
Jason says: “Movies like MONSTERS often get graded on a curve because of how much they do with relatively little. Gareth Edwards shot it guerilla-style and had to cram a fair amount of effects shots into a five or six-figure
Bruce says: “MID-AUGUST LUNCH is based on a solid idea but is hampered by a sloppy, unsatisfying execution. Gianni is a dutiful son confronted with dwindling coffers and an insatiable yearning for white wine. He lives with and cares for
Thom says: “This film is absolute perfection, defining the art of film, frame-by-frame, scene-by-scene, with so many of the delightful excesses that Jeunet is known for. And don’t count me as a Jeunet Pollyanna, by any means. While I’m a