Bruce says: “Winner of the Palme d’Or at Cannes, Michael Haneke (THE PIANO TEACHER, CACHÉ, BENNY’S VIDEO, FUNNY GAMES, THE TIME OF THE WOLF) finally gets his well deserved recognition. Not that his films are always satisfying. I cannot think
Thom says: “For all the world I thought this was going to be a box office smash due to the general nature of the story and the great big “Hollywood” presence of the production. But the public reception to the
Thom says: “After being a minor Woody Allen fan for years I turned very sour on him for a span. After returning to his films with the witty MELINDA AND MELINDA (due to the presence of must-see Chloë Sevigny) all
Michael says: “I was a big fan of Ondi Timoner’s documentary DiG! from a few years ago, so I was intrigued to see what her next project was like. WE LIVE IN PUBLIC explores the increasingly blurry line between public
Jason says: “I was, perhaps, a little hard on THE WAY WE GET BY when I first got out of it. It’s like that, sometimes, when you’re at a festival and really want to see one movie, can’t get in,
Jason says: “At certain points, the fact that Warlords licked around for a while without a U.S. distributor despite being an epic with high production values and a star in Jet Li who is still relatively bankable was taken as
Michael says: “Drawing parallels between the chaos of making a film and that same unpredictability in life, Tsai Ming-liang has made his most far out and in many ways exciting movie to date. Kang, who we have come to know
Julie says: “Docudrama of a young mother’s fight after being unfairly accused in drug raid of a predominantly black housing project in Arlington Texas. Will Patton was excellent. Nicole Beharie did do a good job as of course did Alfre
Bruce says: “Isabelle Huppert is an actress I would pay money to hear read the phone book; any city – Paris, New York, Tokyo – will do. Huppert elevates every film in which she appears and that fortunately is the
Bruce says: “For a woman at the end of her ropes, caring for a child is not easy. Nina (Judith Chemla) is first seen navigating the backstreets of Paris trying to find a construction site where she and her five
Bruce says: “There are several things many people might not know about Valentino. The first that comes to mind is that Valentino is his first name not his surname, which is Garavani. Another thing is that Valentino is basically a
Jason says: “Toru Hirai (Kaoru Kobayashi) is dragging. He falls asleep while riding the train with his fiancée Mika (Nene Otsuka) and her son Tatsuya (Shusei Uto), but you don’t need that to see it. He’s middle aged, but it’s
Thom says: “Reitman has done a few seriously lauded films including JUNO and THANK YOU FOR SMOKING. & yes I’m thrilled to see him using must-see Simmons once again, albeit, in a small role. For many reasons, I suppose, it’s
Diane says: “Latest Pixar is bedeviled by a MacGuffin chase that makes it generic. It’s the first half hour of the film, the beautifully moving story of a couple passing from youth to old age and relinquished dreams, that makes
Jason says: “It is easy to make fun of the art world, especially those on the edge (or fringe, depending on how you feel about it). It’s a little harder to do it well; just because something is mockable doesn’t
Jason says: “UNMISTAKEN CHILD is an example of my favorite sort of documentary, the fly-on-the-wall film that looks and feels like a narrative feature. It tells its story by marshaling extraordinary access and patience, rather than cutting cutting away to
Barbara says: “Watching TYSON and LAGERFELD CONFIDENTIAL within a day of each other was an interesting experience. The one attribute that the two subjects seem to share is self awareness although Tyson came by his after just about ruining his
Peg says: “This odd, often bleak little film starring Joaquin Phoenix and Gwyneth Paltrow stumbles as it starts but eventually settles into an absorbing character driven drama. Not quite a love story, this is more a narrative of surviving a
Jason says: “I considered skipping the 20TH CENTURY BOYS double feature at Fantasia, not out of disinterest or fear that it wouldn’t be any good, but because the weeks that translations of Naoki Urusawa’s manga are released are the ones
Jeff says: “A young Kazakh man returns to the steppe after serving as a diver in the Russian navy, dreaming of his own yurt, a pretty wife, and a prosperous flock of sheep under a starry sky. Alas, the only