Bruce says: “Norman Foster is one of the greatest living architects. His Reichstag in Berlin, the British Museum, the London gherkin, the Bilbao subway, the Hearst building in New York and the HSBC headquarters in Hong Kong are all worldwide
Diane says: “How nice that I didn’t need to know anything about chess to enjoy this film. As a matter of fact, I didn’t even learn anything about chess from it. “Another ‘let’s root for the school kids’ doc, BROOKLYN
Bruce says: “When we first see Roman Kolger he is being taken to task because he has botched his first day on the job as a metal worker. Apparently a pattern has formed; this is not his first failure. Back
Peter S. says: “This was my first advance screening of a film, and I had to endure giving up my cell phone, having my bag checked, and then being swept for recording devices. Even worse, I had to deal with
Jason says: “BRANDED is a movie so bizarre at points that it must be intended as metaphor or satire, except that nothing about this film ever gives the the impression that it’s nearly that clever. It’s a weird example of
Thom says: “While I was pleased to see that the director was highly influenced by recent Greek Master Giorgos Lanthimos (DOGTOOTH, ALPS) & even a bit of Bresson, this film was much more singular in that it concentrated fully on
Jason says: “BOOSTER doesn’t do a whole lot; it could almost survive with its plot removed. It’s the sort of independent film that comes across as authentic to those from its neighborhood and has a sharp enough read on its
Jason says: “If nothing else, the English title of BLOOD LETTER is a neat play on words, even if it won’t stand out on a DVD shelf of imported action movies. That’s not the best thing about it – it
Jason says: “Is it weird to call BLACK’S GAME kind of fun? It is, after all, a movie about gangs and the cocaine trade that doesn’t exactly go the hip black comedy route or make its characters cool through their
Thom says: “This was a wonderful gift from a friend that was chock-full of pluses from some very imaginative filmmakers. The lead actor playing the father of the family Tom Thompson is two-time BAFTA winner Chris Langham. Trust me, this
Thom says: “Director Madden has had an interesting career without really establishing an auteur following. Certainly SHAKESPEARE IN LOVE, HER MAJESTY, MRS. BROWN, PROOF, & ETHAN FROME are all well worth viewing but GOLDEN GATE, KILLSHOT, THE DEBT, & CAPTAIN
Chris says: “This ripped-from-the-headlines tale of a meek funeral director who murders a wealthy, irascible widow is meant to play like ‘Midnight in the garden of small town east Texas’. While Austinite Richard Linklater is the right director for the
Thom says: “This and one other late in the Festival are my lowest rated films. Other than seeing mother and daughter playing mother and daughter in Deneuve & Mastroianni I can’t think of one thing to recommend this turgid musical
Julie says: “I loved this one. Very engaging from beginning to end, very well put together doc. Some of the art was fantastic and some I was not so crazy about Wayne White is such a character! A true artist.
Thom says: “This is a very disturbing entry to be included and I think it was rather brave of them to embrace it because the story is so ugly. A 40-something man lives with his Afrikaans-speaking family in Bloemfontein (yes,
Bruce says: “It took BEASTS OF THE SOUTHERN WILD, winner of the Grand Jury and cinematography awards at Sundance 2012, about four years to get to the screen. Everyone associated with the film was in agreement – the film would
Thom says: “Oh dear, Barry Levinson (MAN OF THE YEAR, LIBERTY HEIGHTS, BANDITS, GOOD MORNING, VIETNAM, WAG THE DOG, SLEEPERS, DINER, THE NATURAL, & YOUNG SHERLOCK HOLMES among others) has slipped to directing a horror, sci-fi, thriller about ‘found’ footage
Jason says: “BARBARA starts at an interesting place; others with its basic template will set things up, give the audience a sense of who its characters are before putting them in a new situation. Writer/director Christian Petzold goes a different
Jason says: “Some martial-arts action flicks are all-around great movies, and many are capable, if not exceptional. A distressing number, though, are one trick ponies, with good action scenes being held together by connective tissue that is given so much
Bruce says: “A film such a BAM150 has no right to be in any film festival. It is a vanity project commissioned by Brooklyn Academy of Music (BAM) directors Karen Brooks Hopkins and Joseph Melillo, more propaganda than a work