Bruce says: “For twenty years Wim Wenders and Pina Bausch planned on making this documentary. Wenders could not get started on the project because he could not figure out how to put her choreography on film. Finally, he decided to
Jason says: “In most zombie/contagion movies, the point where the tension really cranks up is when, after braving the various horrors to get to what should be a safe place, the characters discover that the greatest danger isn’t out there;
Chris says: “For film festivals from Cannes to Toronto, it’s usually a safe bet that the opening night film will not be the fest’s pick of the litter. Those selected for the Provincetown International Film Festival (now in its 13th
Michael says: “Saw PARIAH last week, and I want to urge anyone who is heading out to the movies this week to try to catch it before nominations. PARIAH is the story of a young African-American lesbian in high school
Diane says: “Had resisted seeing this one for so long, but… “The main thrust of the docu, about how the Web, social media, etc. are killing newspapers, is a stale story by now. What excited me were the stories of
Jason says: “Takeshi Kitano has apparently been doing unusual stuff lately, with GLORY TO THE FILMMAKER and TAKEHSHIS apparently being considered weird for even Japan. Those projects haven’t been doing quite so well, so Kitano has gone back to the
Jason says: “OUR IDIOT BROTHER is just as broad a comedy as its name suggests but a good deal less mean-spirited. In other eras, it might have been a door-slamming farce, although in the present its screwball tendencies are held
Diane says: “Doc about middle-aged punk rockers becoming ‘F’athers. Snippets of interviews about men teaching street-crossing rules to their kids after a career of being anti-authority, being accepted by other preschool parents despite all those nasty tattoos, blaming their parents
Jason says: “There’s an interesting idea at the center of ONE BIG HAPA FAMILY – investigating the astonishingly high rate of mixed marriages among ethnically Japanese Canadians – and director Jeff Chiba Stearns is enthusiastic about pursuing it and occasionally
Diane says: “I had avoided this one for quite a while because I thought it would be trite. But no! Based on the true story of French monks in Algeria in the late 1990s, much of the film covers the
Jason says: “One thing that I’ve noticed from reviewing Korean movies is that action movies are fairly likely to have the same person credited as writing and directing, whereas in Hollywood (and elsewhere) there will be many more names in
Jason says: “I don’t think it was Patricio Guzmán’s plan to do a bait-and-switch with his documentary NOSTALGIA FOR THE LIGHT, but if it was, he executes an unusually smooth and effective one here: It’s one thing to start with
Jason says: “For the last few years, I’ve had this recurring joke about how hiring TakashivMiike to direct family movies is the Japanese equivalent of Warner Brothers getting the rights to Harry Potter and deciding that the right man for
Julie says: “There was one funny moment in the grocery store at the beginning of the movie which involves a loud speaker. Feel free to turn the movie off after that. The rest just seemed very amateurish to me and
Jason says: “As near as I can tell, J.K. Simmons has never had a starring role in the movies or on television. He’s been part of ensembles, and stolen scenes in supporting parts, but being the first guy listed in
Jason says: “MOOZ-LUM opens with ‘based on actual events,’ and it does wind up feeling like the sort of the sort of movie that such a label gets applied to. It’s well-observed and at times fascinatingly authentic, but also clearly
Michael says: “Julian Schnabel, director of the acclaimed THE DIVING BELL AND THE BUTTERFLY, tackles the Israeli-Palestinian conflict in this ambitious historical tale told from the point-of-view of an idealistic, but naive young Arab woman named Miral. In 1948, Hind
Jason says: “MILOCRORZE: A LOVE STORY is the sort of colorful, genre-mashing flick that doesn’t just try to bowl the audience over, but practically insists on it, overwhelming the viewer with color and sound and sudden shifts until they either
Diane says: “RUSSIAN ARK meets Mel Gibson’s PASSION. This gorgeous, soporific Polish film turns Bruegel’s painting, ‘The Way to Calvary,’ into a mostly wordless narrative. Concept is great (digitized background of the painting’s landscape with live actors in middle- and
Thom says: “I was all prepared to like this brilliant film from all the rave reviews but I had no idea I’d love it this much. The story: a successful but frustrated Hollywood screenwriter (Gil, Owen Wilson) travels to his