Michael says: “No one has mentioned CONCUSSION in all this, and I have to say, I was quite surprised when Brian pitched it so hard at the Nominating Committee meeting, and even more surprised at how much I enjoyed it.
Kyle says: “THE CONCUBINE received its North American Premiere at the New York Asian Film Festival. Fans of the hit HBO television series GAME OF THRONES will feel right at home, although I am not sure that is the proper
Kyle says: “COMRADE KIM GOES FLYING received its New York Premiere and was hailed by ‘Film Comment’ Editor Gavin Smith as the first North Korean film ever presented at the Film Society of Lincoln Center. The occasion was greeted with
Jason says: “I think I’m done with Andrew Bujalski. I’ve seen three of his four films, and even the one I kind of liked didn’t really impress me. And while I can see some merit in the ones like COMPUTER
Jason says: “Hideo Nakata’s new one seems to start out with such promise – creepy visuals, a likable lead, the possibility of a whole apartment complex haunted with ghosts, and a knack for building tension out of small, real things
Jason says: “THE COMPANY YOU KEEP can play a bit like a brute-force attack at times – sure, it’s kind of slow at times and eventually the audience winds up a couple steps ahead of the protagonist, but every ten
Thom says: “Batko becomes the master in his creation of an invisible web of informants by a group of revolutionaries that end up spying on each other. He controls his own secret fount of information. After the fall of communism,
Kyle says: “THE GREAT WAR, DRUG WAR, COLD WAR, lots of movies about wars ancient, modern, political and imaginary: After dozens of these at the New York Asian Film Festival, it is a little confusing to remember which war is
Chris says: “I’ve waited years for someone to make a film out of one of David Sedaris’ autobiographical essays, knowing that any attempt could go either way (see Ryan Murphy’s meh version of Augusten Burroughs’ RUNNING WITH SCISSORS). Fortunately, this
Jason says: “It says something about humanity, the world we live in, or perhaps just me personally, that I’m bored by the brand of paranoia that keeps CLOSED CIRCUIT running. Is that in spite of how visible abuse of power
Jason says: “It’s not just one thing that has brought Jackie Chan to the point where his latest movie is something of a loud, sloppy mess, but everything working together: Age takes a toll on a performer this physical. Hollywood
Jason says: “Yes, LOS CHIDOS goes there. Fill whatever twisted thing you want in for ‘there’, and that statement is likely to be true, although in actuality it’s not even in answer to a question – it’s doing something jaw-droppingly
Jason says: “I’m not sure quite how far we are into CHENNAI EXPRESS when the indicator of where the intermission would be comes up (the movie just kept going in Boston but likely paused in India), but the realization that
Jason says: “Given the fairly impressive cast, decent behind-the-scenes talent, and loudly proclaimed praise for CHEAP THRILLS coming out of its festival appearances, I expected more from the movie. What I got was an acceptable gross-out movie with a nugget
Bruce says: “For most film buffs CASTING BY is essential fare. The film’s primary focus is the amazing, serendipitous casting career of Marion Dougherty and the vast influence she has had in the film industry both on the east coast
Kyle says: “CAPTAIN PHILLIPS is loud, fast, furious, vulgar and jingoistic. It will be a big hit and probably garner yet another Oscar nomination for Tom Hanks. You must take off your hat to the style, pace and command of
Jason says: “I didn’t see BUSHIDO MAN quite at the midway point of the festival, but far enough in that it was clear some things were missing: Martial arts seemed to be in relatively short supply, for instance, as were
Jason says: “THE BURNING BUDDHA MAN is almost certainly unlike any feature film that will show up this year, animated or not. In fact, the style of this movie is so singular that it might be the rare movie that
Kyle says: “BURN IT UP DJASSA is set in the ghetto of Wassakara, Ivory Coast. Tony and his sister Ange attempt a meager survival with him selling cigarettes and her selling her body. A public confrontation leads to a sudden
Kyle says: “About twenty years ago, I was complaining to a friend how formulaic and uninteresting most new American movies were, and he asked me if I was familiar with Hong Kong cinema. I said no, asking if he meant