Jason says: “I know a fair amount of people who tend to judge movies in large part based on how much they agree with how the characters act. I suspect most of us do so a little more than we’d
Jason says: “For someone who has never been to the ballet, I sure tend to find a lot of movies involving the combination of art and athleticism fascinating. Maybe it’s the way that the intense discipline necessary to master the
Jason says: “It happens all the time: An action-comedy starts out funny, but when building to a climax, the action so completely takes over that the thing that got the audience hooked at the beginning is almost completely lost. SECRETLY
Jason says: “The tale of the Yang Clan is something special, even in a culture already packed full of martial legends. Its combined simplicity and grandeur makes it an excellent source for Ronny Yu’s latest, and apparent labor of love
Jason says: “As with many movies based on true stories, SAVANNAH ends with a few screens of text summing up the lives and accomplishments of its subjects, and for Ward Allen it states that he was an eloquent advocate of
Kyle says: “Oscar-nominated actor, director, painter, sculptor, poet, essayist, novelist, installation artist, famous college student and occasional professor, currently Gucci men’s perfume spokesperson, and soon-to-be Broadway play director James Franco is steadily amassing an intriguing body of work as cinema
Jason says: “RUROUNI KENSHIN PART ONE: ORIGINS is a comic-book movie, not just in the sense that it’s adapted from a popular manga, but in how it both aims to introduce a lot of favorite elements and tell the story
Chris says: “Mariel Hemingway is an accomplished actress in her own right—she even received an Academy Award nomination while in her teens for Woody Allen’s MANHATTAN. However, before anything else, most people will identify her as Ernest Hemingway’s granddaughter and
Jason says: “It doesn’t happen very often, but RUBBERNECK is almost too simple to classify. It’s got characteristics of both a thriller and an indie drama of the character-study variety, but the only thing that seems unique about it is
Chris says: “Remember when someone first stumbled across how eerily Pink Floyd’s The Dark Side of the Moon album synced up to the first forty or so minutes of THE WIZARD OF OZ? With the band denying any intentional links
Jason says: “THE ROOFTOP is overstuffed, like Jay Chou had a half-dozen ideas for his 1960s Taiwanese musical project and couldn’t decide exactly which ones he wanted to use. So he threw in all of them, even if they don’t
Jason says: “RITUAL: A PSYCHOMAGIC STORY is explicitly inspired by the work and philosophy of Alejandro Jodorowsky, and many may find themselves disappointed that, after a very stylish opening, it is never in the same category of strangeness as Jodorowsky’s
Jason says: “I’m certain that I must, at some point, learned that famed Impressionist painter Pierre-Auguste Renoir and noted filmmaker Jean Renoir were father and son. Somehow the information failed to stick, so re-learning that bit of information was kind
Kyle says: “RENGAINE is called a ‘no-budget urban drama’ in the New Directors/New Films program note; this is obvious from the number of duties director Rachid Djaïdani is credited for in the end titles. So let us issue a shout-out
Jason says: “REMOTE AREA MEDICAL takes great pains to separate itself from partisan politics as much as possible, but its very premise – that a service designed to bring basic medical treatment to people in areas without any sort of
Michael says: “Mira Nair is a talented filmmaker. Her latest film, THE RELUCTANT FUNDAMENTALIST, is beautiful to watch, well structured, provocative, features terrific performances and a real slow burn. Unfortunately, the screenplay by William Wheeler, adapted from a novel by
Jason says: “Much of the time, a movie that was expanded from a short will feel bloated and kind of boring, as though the striking idea behind the original work has been watered down and made bigger without gaining more
Chris says: “This is the film devotees of David Gordon Green’s earlier features hoped he would make, although it’s probably not entirely what they expected. A remake of the Icelandic film EITHER WAY, PRINCE AVALANCHE returns to the Terrence Malick-on-a-tight-budget
Kyle says: “The North American Premiere of PRIDYIDER (FRIDGE) was presented under the New York Asian Film Festival rubric of ‘Manila Chronicles: The New Filipino Cinema.’ Yes, it’s about a refrigerator that kills people. And it’s so clear-headed and good-natured
Jason says: “THE PREY isn’t a big summer blockbuster by American standards; for all I know, it wasn’t a big deal when it played its native France as LA PROIE two years before its American release. It is a lean,