Chris says: “From Portugal, this little, whimsical black-and-white film should carry an instant appeal for anyone bored by the more commercial axis of indie crossover cinema simply because it’s so quirky and weird—almost like a more feminine Jim Jarmusch mixed
Jason says: “Ed Harris. Western. There, that should have sold everyone… Oh, you need more? Fine. SWEETWATER (also known as SWEET VENGEANCE) is a dark, bloody Western that is both fairly traditional and over-the-top crazy, with a fairly great cast.
Kyle says: “THE LAST SUPPER screened in its U.S. Premiere at the New York Asian Film Festival. According to various reports, the SARFT (State Administration for Radio, Film and Television), otherwise known as the Chinese censors, worked themselves into a
Bruce says: “The biggest problem with STRUCK BY LIGHTNING is the protagonist. He is not very likable. In the opening frames we learn that Carson Phillips (Chris Colfer of GLEE fame) is the lightning victim. Carson is also the victim
Bruce says: “Sarah Polley first dazzled film lovers with wonderful performances in THE SWEET HEREAFTER, EXOTICA, THE HANGING GARDEN, LAST NIGHT, and MY LIFE WITHOUT ME. Then she turned to directing and dazzled once again with the narrative features AWAY
Jason says: “With any luck, a fair number of the people seeing STOKER will do so without already being fans of director Park Chan-wook, drawn in by the nifty cast and striking previews. They’re in for a treat, because Park
Jason says: “It’s funny what gets to a person during this type of movie. I was doing okay through most of STILL MINE (which played festivals as STILL, and may have kept that name in some places), and then I
Jason says: “Toward the end of WE STEAL SECRETS, one of the interview subjects calls back to an early online handle of Julian Assange’s, ‘Mendax’, an abbreviation of ‘noble liar’. That is, however, not the first (possible) online alias of
Jason says: “No matter how bound and determined a viewer is to just sit back and enjoy STARBUCK for the light comedy that it is, there are going to be moments when he or she can’t help but think it’s
Jason says: “THE SQUARE doesn’t necessarily look like much as it starts; just some people who happened to have a camera in the right place at the right time. Make no mistake; that is an incredibly useful thing for a
Thom says: “WOW, probably my favorite TIFF 2012 film all the more surprising seeing director Korine’s insane track record, plus his past relationship with film goddess Chloe Sevigny. I loved his first film GUMMO (1997) but was then quite disappointed
Jason says: “It’s hard enough to try to review the first films to play a festival, writing a paragraph at a time between other screenings, but something like THE SPECTACULAR NOW makes it even more difficult. It’s does almost nothing
Jason says: “As of this writing, SPACE MILKSHAKE hasn’t actually been purchased by SyFy (or its Canadian equivalent Space) to run as a Saturday night original movie, but that’s what it is: A low-budget sci-fi movie just long enough that
Chris says: “A popular health food restaurant on the Sunset Strip… an experiment in spiritual communal living at the dawn of the 1970s… a cult overseen by Father Yod, a charismatic, excessively-bearded ex-Marine who eventually proclaimed he was God Himself…
Thom says: “I was to learn before the screening that Assayas had won the best script at the Venice Film Festival. If truly that is the case I’d hate to know what the other choices were as this autobiographical film
Jason says: “Based upon Daisy von Scherler Mayer’s film version, SOME GIRL (S) is a play with a rather tortured premise, and I suspect that actors who like a challenge are drawn to it for that. Sure, Neil LaBute gives
Jason says: “I don’t feel bad about not particularly liking SOFT IN THE HEAD, but one of the reasons I don’t like it bugs me. I look down on its characters, which means I probably look down on their real-life
Bruce says: “This disturbing Israeli film S#X ACTS examines the effects of sexual bullying, a most disquieting albeit extremely important issue among teenagers. Gili (Sivan Levy) has switched schools midway through high school. Her mother is a single parent and
Jason says: “John Sayles is perhaps the most notable independent filmmaker who falls through the cracks despite being quite accessible. Why is that? After all, he’s got LONE STAR and EIGHT MEN OUT to his name! There are a number
Jason says: “There are two general ways a ‘bag of money’ movie can go: Navigating the intricate set-up that is revealed through a constant series of revelations and double-crosses that the anti-hero must navigate in order to keep the cash