Jason says: “I want to champion ROCKS IN MY POCKETS; it is a striking animated film made with adults in mind, and one that tackles a difficult but important subject head-on. The world needs movies like that. The thing is,
Toni says: “The worst thing about a Buried Treasure eligible film ($208K made in the US) like ROB THE MOB is its title, directed by Raymond De Felitta who made CITY ISLAND. “While it does describe what the film is
Jason says: “Don’t let some of the pedigree that REVENGE OF THE GREEN DRAGONS can whip out fool you – executive producer/’presenter’ Martin Scorsese and co-director Andrew Lau have made some transcendent gangster movies, but this one is more or
The Return to Homs (Syria/Germany; 94 min.) directed by: Talal Derki documentary Kyle says: “THE RETURN TO HOMS is one of the great documentaries on war — horrifying, infuriating, haunting. It takes place over a two-year period from August 2011
Jason says: “There have been many, many films built around the twin premises that the family next door that’s too perfect to be true really isn’t, and that they have their own problems. RED FAMILY doesn’t go a completely new
The Reconstruction of William Zero (USA; 98 min.) directed by: Dan Bushstarring: Conal Byrne; Amy Seimetz; Adam Fristoe; Tim Habeger; Melissa McBride Jason says: “As much as it’s fun to be one of the first people to see a movie,
Jason says: “The problem with RAZE ultimately, is that it’s boring. It’s got a good cast that executes some good action, but this is a movie that lacks one single moment of surprise in its stupid story. And when a
Jason says: “This is a movie seemingly designed for awards consideration that the Weinstein Company released in April, and while that may just be an example of them deciding another horse was a safer bet… Well, PHILOMENA was the safer
Kyle says: “Students of Latin and mathematical and philosophical arguments will know QUOD ERAT DEMONSTRANDUM by its more familiar abbreviation QED, meaning ‘that which has been demonstrated.’ It is an essential journey into the Romanian New Wave by way of
Jason says: “I can (and to a certain extent, will) rattle off the ways that THE PYRAMID is disappointing, subpar, and lucky to find a particularly barren release date in order to avoid a direct-to-VOD fate. But even though I
Jason says: “I’m sure that the title of PUZZLE was supposed to describe the sensation of watching it to a certain extent, although there were several times that I think filmmaker Eisuke Naito may not necessarily have meant to set
Jason says: “Though it’s not uncommon to encounter one that makes a good case for its greater length at all, most horror movies would be best served running seventy-five to eighty minutes, long enough to set a story up, make
Jason says: “Give PROXY filmmaker Zack Parker this: Unlike many movies that wind up labeled ‘horror’, his delivers something that its audience will want to put out of their heads afterward because it doesn’t bear thinking about. Unfortunately, he keeps
Jason says: “It sometimes feels like Jenée LaMarque could have done more with THE PRETTY ONE; the idea of one identical twin taking the place of the other is certainly not new, but it’s the sort of plot device that
Jason says: “Wilderness survival movies don’t get much more basic than PRESERVATION, which takes this budget-friendly premise and builds a passable movie out of it. It’s not going to change the genre, or even necessarily stand out as particularly innovative
Jason says: “If they have any ambition at all, both good and bad time-travel movies make the viewer’s head hurt a little bit thinking about how the plot fits together; the good ones make the us like it. By that
Jason says: “That they can be given names as generic as PIRATES OF THE CARIBBEAN or, in this case, just THE PIRATES without fear of confusion means just one thing: There are not enough pirate movies being made these days.
Jason says: “PING PONG SUMMER could probably stand to be cut down to half its length, which is a bit of a problem because it only runs 92 minutes as it is. Maybe the time it spends hanging out with
Chris says: “Roy Andersson makes movies that could come from no other director. I suppose most film buffs can detect plentiful influences on his style: the more overtly comic works of Luis Bunuel and David Lynch, naturally fellow Swede Ingmar
Jason says: “GRAND PIANO is evidence that, with enough creativity and energy, a clever filmmaker can make an exciting thriller out of what may seem like unlikely activities and situations. In this case, it’s a man playing classical piano before