Jason says: “UZUMASA LIMELIGHT wears its inspiration on its sleeve, opening with a quote from Charles Chaplin’s original film before giving some background on where this contemporary Japanese version is coming from. That’s absolutely fine, though – after all, what
Bruce says: “Joanna Hogg in an early interview talks freely about her first film, UNRELATED, winner of the FIPRESCI (International Federation of Film Critics) prize at the 2007 London Film Festival. Trained as a photographer, Hogg worked in British television
Kyle says: “’We need to understand how we got to where we are.’ This fatuous comment by former Defense Secretary Donald Rumsfeld is memorable only because subsequent Iraq history has made both the man and this dispiriting documentary a waste
Chris says: “Widely branded as an experimental (read: plot less and arty) adaptation of Michel Faber’s novel, this is admittedly far more out there than SPECIES or even THE BROTHER FROM ANOTHER PLANET, to name two other films that center
Jason says: “There’s not a whole lot in UNBEATABLE that’s new; this very combination of a raw young fighter, a coach who has seen better days, and a kid who doesn’t take any guff has probably shown up on screen
Thom says: “Unfortunately, this turned out to be Patricia Highsmith-light. There’s been quite a few high-quality films that have been made from her works including THE TALENTED MR. RIPLEY, THE CRY OF THE OWL (twice, even once by Chabrol), PURPLE
Thom says: “Podcaster Wallace Bryton (a forever boyish Justin Long) and his head dude Teddy (a decidedly chubby Osment) are looking for odd, disgusting clips for their podcast and come across a really gross one where a young man accidentally
Chris says: “THE TRIP smartly capitalized on Steve Coogan’s and Rob Brydon’s superb chemistry with each other—one could imagine getting a kick out of watching them do nothing more than read the phone book, as long as they did it
Jason says: “Film festivals, or the other ways that film lovers cram more movies than their friends watch in a month into a much shorter span of time, can really warp one’s perception of a given picture via context. On
Jason says: “‘Just jerk off when your brother tells you to’ isn’t quite the first line of I AM TRASH, but it’s close and gets the audience’s attention. It also turns out to be one of the less horrific moments
Kyle says: “TRAP STREET marks the directorial debut of Vivian Qu, who has a substantial resumé as a producer of Chinese films. This a tale of the gray areas between surveying and surveillance, as young Li Quiming (Lu Yulai) happily
Jason says: “It took roughly a minute of TOP FIVE for me to realize that I really hadn’t been anticipating this film enough – it is, after all, built around Chris Rock and Rosario Dawson hanging around and verbally jousting
Jason says: “TOMMY starts out looking like it might be a certain type of movie – you know, the one where the underestimated woman at the center is eventually revealed to always be three steps ahead of everyone around her
Brett says: “It has gangs. It has over-the-top violence. It has lots of dead bodies. Oh, and it’s a musical. If one is to become gang lord of one of the largest cities on earth, it’s going to take some
Chris says: “This documentary from venerable magicians/entertainers/smartasses Penn and Teller initially asks whether it’s possible to recreate a Vermeer painting; by the film’s end, that question turns into why anyone would want to do so. I don’t mean that to
Jason says: “TIME LAPSE is a standout even for one of the best sci-fi years I can remember Fantasia having, and while those are rankings that may not mean much to non-attendees, it is meant as high praise. There’s always
Tiger Tail in Blue (USA; 80 min.) directed by: Frank V. Rossstarring: Rebecca Spence; Frank V. Ross; Megan Mercier; Allison Latta; Anthony J. Baker Jason says: “Give the latest wave of young independent filmmakers this: They seem to recognize that
Jason says: “Before Josephine Decker’s THOU WAST MILD AND LOVELY starts to be a weird, creepy sort of movie in a way that has real certainty and direction, it’s got two scenes that kind of warn the audience what it’s
Thermae Romae II (Japan; 112 min.) directed by: Hideki Takeuchi starring: Hiroshi Abe; Aya Ueto; Masachika Ichimura; Kazuki Kitamura; Ivan Kostadinov Jason says: “2012’s THERMAE ROMAE adapted a manga with a delightfully high-concept premise – an architect of Roman bath
Jason says: “Stephen Hawking’s life story is extraordinary, but not necessarily cinematic – its milestones are often losing the ability to do things, and his accomplishments can be difficult for laymen to understand. So what do you do? In this