TC says: “I adored this film when we saw it at IFFB this year – and we are actively pushing its two young stars Theo Taplitz and Michael Barbieri, who just charmed the socks off of us in this beautiful
Thom says: “LA LA LAND is a pleasant film that will probably be ever remembered as the movie that won a Best Film Oscar only to be announced seconds later that it hadn’t received the prize statuette, but rather the
TC says: “I know it’s not eligible for the Trudys, but it’s a masterpiece all the same… don’t want to say much because you need to see it, but it’s going to give the very good but not perfect FINDING
Chris says: “Winner of the John Cassavetes award at this year’s Independent Spirits, this low-budget indie reminds me a little of Jane Campion’s early work (particularly SWEETIE) in that it’s about familial relations and everything seems just a little off
Jason says: “Like a lot of movies where the filmmakers want to both celebrate family and build a story about what kind of stresses it can place on people, KAPOOR AND SONS can swing from one to the other fast
Jason says: “I’m not sure how much of a coincidence it is that Priyanka Chopra’s most recent Bollywood film is getting is global release on a weekend when she has a fairly high profile in the United States – she
Jason says: “I don’t know much about raising kids or autism, let alone the combination of the two, but I probably know just enough to find JACK OF THE RED HEARTS a bit more alarming than it was perhaps meant
Jason says: “The previews for the American release of IP MAN 3 have been playing it up as Donnie Yen versus Mike Tyson, and that’s probably good marketing even if the former heavyweight champ is credited with a ‘special appearance’
Bruce says: “Filmed in black and white reminiscent of the 1960s, Philippe Garrel’s IN THE SHADOW OF WOMEN follows the dissolution of a marriage. Both husband and wife are having extra-marital affairs although they are happily married and deeply in
Bruce says: “Hany Abu-hassad would seem an unlikely director of a biopic. His earlier films, RANA’S WEDDING, PARADISE NOW, and OMAR have documented the effects of Israeli enforced apartheid on the Palestinian community. While THE IDOL has many of those
Jeff says: “Actually, I will be nominating Rima Te Wiata for Best Supporting Actress in the role of Bella, a big-hearted, back-to-the-land farmer and forager who brings a misunderstood child out of his shell. This is a fish-out-of water story
Jason says: “Ambiguity is a powerful tool for filmmakers and other storytellers if they can handle the challenges of using the same material to build two opposing narratives at once, and not just because pulling it off is an impressive
Bruce says: “David Hockney as a subject is fascinating, complicated and ever so broad. In the contemporary art world, he is nearly without peer, when one considers the breadth and consistent quality of his work. No documentary could truly do
Jason says: “HIGH-RISE carries so many illustrious pedigrees, such as the novel by science fiction author J.G. Ballard, and a committed performance by star Tom Hiddleston, and its press notes are filled with so many adjectives such as ‘ambitious’ and
Thom says: “The Coen Brothers have had a long, steady run of super-loved films that they have directed and they very rarely fail to hit my highest rating so that this palpably fun film didn’t achieve that fantastic distinction is
Jeff says: “The next movie from director Jeremy Saulnier, responsible for 2013’s BLUE RUIN, GREEN ROOM once again throws a bunch of regular guys into horrific circumstances (heroin-manufacturing Nazi skinheads, homicidal dogs), and lets them improvise a way out (as
Jason says: “When I saw the first FROM VEGAS TO MACAU at a festival a couple years ago, I figured that I was just a victim of bad expectations, not prepared for something so silly, especially thinking of Chow Yun-fat
Chris says: “Not sure if this will get any kind of distribution, but this IFFBoston title blew me away with its intensity, neorealism, and nuanced approach to its subject matter. It concerns a storefront Pentecostal church in Memphis and a
Bruce says “As he did with the Hermitage in RUSSIAN ARK, Sokurov takes on the Louvre mixing art, history and folklore. In spite of meandering – as a Sokurov film is wont to do – the focus ultimately settles on
Jason says: “The professional sports industry churns out a tremendous amount of non-fiction films every year, and the number is probably only going up with the sheer number of cable sports channels with time to fill, especially during the off-season.