Jason says: “Here in Boston, we’ve recently been threatened with hosting the Olympics, and though the recent experience of the Big Dig should really have the whole city threatening to string up whoever first thought this was a good idea,
Child 44 (Czech Republic/UK/Romania; 127 min.) directed by: Daniel Espinosastarring: Tom Hardy; Noomi Rapace; Fares Fares; Joel Kinnaman; Gary Oldman; Paddy Considine Jason says: “The name of CHILD 44 and the trailer that emphasizes the serial-killer aspects of the movie
Chappie (USA/Mexico; 120 min.) directed by: Neil Blomkampstarring: Sharlto Copley; Dev Patel; Hugh Jackman; Sigourney Weaver; Ninja; Yo-Landi Visser Thom says: “Nearly all my friends had loved Blomkamp’s earlier South African Sci-fi blast DISTRICT 9 & ELYSIUM wasn’t half-bad, and
Jason says: “There is a little bit of Korean text at the start and end of C’EST SI BON left untranslated (at least on the local theater’s DCP) that likely says something along the lines of it being based upon
Jason says: “CATCH ME DADDY opens with a poem/folk tale about its Yorkshire setting, fitting enough but a bit surprising, as the story is driven by people and traditions that arrived in the UK from elsewhere. On the other hand,
Cash Only (USA/Albania; 91 min.) directed by: Malik Baderstarring: Nickola Shreli ; Maia Noni; Stivi Paskoski; Danijela Stajnfeld Jason says: “There are a lot of actors where following the usual advice to ‘write what you know’ will not get them
Bruce says: “CAROL, based on the autobiographically inspired Sapphic novel, The Price of Salt, by Patricia Highsmith, is terrific. That said, it should be noted that here form triumphs magnificently over content, rarely the case for me. The story is
Jason says: “It’s common to ask whether someone other than the person that wound up making a movie could have done so, but I think it’s a fair question with CALL ME LUCKY. Subject Barry Crimmins and director Bobcat Goldthwait
Cake (USA; 102 min.) directed by: Daniel Barnzstarring: Jennifer Anniston; Adriana Barraza; Sam Worthington; Mamie Gummer; Felicity Huffman Kyle says: “There are way too many movies out there with little or no redeeming merit. Sitting down to watch a movie
By the Sea (USA/France; 122 min) directed by: Angelina Jolie Pittstarring: Angelina Jolie; Brad Pitt; Mélanie Laurent; Niels Arestrup; Melvil Poupaud Jason says: “BY THE SEA is the sort of movie I would have called boring as a younger man,
Kyle says: “BUZZARD is the story of a slacker and scam artist who does not get his comeuppance. I propose it as the first in an offshoot of the Slacker Genre called the Quadruple A Scam Artist Sub-Genre: Amoral, Asocial,
Burying the Ex (USA; 89 min.) directed by: Joe Dantestarring: Anton Yelchin; Ashley Greene; Alexandria Daddario Kyle says: “We can thank director Joe Dante for many hours of good over-priced hot buttered popcorn munching during his horror/sci fi films, comedies,
Jason says: “Homesickness can be a tricky thing to put on screen. It’s easy enough to have someone say that’s how she feels, or make the other place look beautiful before quickly cutting back, but those techniques can be superficial,
Kyle says: “The IMDB trivia section informs us that BROKEN HORSES is the first Hollywood film produced, directed, and written by an Indian, and that director James Cameron called it ‘an artistic triumph’ and director Alfonso Cuaron was ‘overwhelmed’ by
Jason says: “This winter, when someone made a comment on there being two biographies of mathematical geniuses up for awards, I responded that after an eternity of movies about poets and musicians whose genius apparently made up for their being
Jason says: “There’s a moment early in BRIDGEND when the main character’s father, a policeman just transferred back to the title city after having spent about ten years in Bristol, is shown the wall of the at-that-point twenty-three teenage suicides
Breathe (France; 91 min.) directed by: Mélanie Laurentstarring: Joséphine Japy; Lou de Laâge; Isabelle Carré; Claire Keim; Radivoge Bukvic; Roxane Duran Thom says: “This stunning, melodramatic masterpiece is the second feature from the gorgeous French film star and is exciting
Kyle says: “When did movies with transgender leading characters become so mainstream as to skirt conventional narrative sentimentality? The aptly titled BOY MEETS GIRL is a delicately detailed, beautifully told story that manages to be both engaging and questioning about
Jason says: “When making a film meant to be eerie and still, greatness is almost the baseline requirement for the cinematography. Fortunately, Thailand seems to be unusually well stocked with both great shooters and things for them to point a
Jason says: “If BLOODY KNUCKLES filmmaker Matt O’Mahoney knows one thing, it’s that measured calls for free speech are kind of missing the point. You can’t just say that offensive media has value, you have to demonstrate it, so it’s