Jason says: “Even the titles of Corneliu Porumboiu’s best-known recent films – 12;08 EAST OF BUCHAREST and POLICE, ADJECTIVE – are focused on a sort of precision that can sometimes be maddening and THE TREASURE, (‘Comoara’ in the original Romanian)
Jason says: “As a film, TOUCHED WITH FIRE sometimes struggles with being bipolar in one of the ways that its characters do, seemingly wanting to claim it as a source of creativity even if the connection is shaky, while the
Brett says: “TONI ERDMANN is a comedic drama containing a premise that might seem similar to a large number of films, but this is a film that relies on a subtle characterization and timely humor as its backbone, opposed to
Bruce says: “So cleverly crafted is Jafar Panahi’s TAXI that it could easily be mistaken for a documentary. Winner of the 2015 Golden Bear at the Berlin Film Festival, TAXI is another creative response from Panahi (THIS IS NOT A
Bruce says: “Saying director Matt Sobel is fond of the McGuffin would be a gross understatement. TAKE ME TO THE RIVER is a film that in no way is what it seems. First off, while Don (Richard Schiff) and Cindy
Jason says:”There are several types of survivalist in stories t hat take place after the collapse of civilization, from the gregarious fellow who knows how to live off the land and aims to share that knowledge and bounty to the
Bruce says: “While not exactly covering new territory in terms of content,SUMMERTIME is a satisfying coming-of-age lesbian drama because of the carefully-crafted characters, beautifully brought to life by its three main actors – Izϊa Higelin, Cécile de France and Noémie
Jason says: “From the title alone, it’s pretty clear that SUMMER CAMP is not exactly likely to break new ground as a horror movie, but there’s plenty of hope that it may do a familiar thing well, and the 81-minute
Jason says: “There are a lot of ways filmmakers can be too clever for their own good, but the most frustrating involve telling the audience, in one way or another, that the thing they’ve invested their time, money, and emotions
TC says: “Director/writer John Carney does it again with this hilarious charmer about Cosmo, a 15 year old so enamored with a local girl he asks her to be in his band’s music video. When she says ‘yes,’ he and
Michael says: “The new film by Wiebke von Carolsfeld (MARION BRIDGE) has not been officially released in the States yet. It’s small distribution deal will hit this fall, but I was lucky enough to see it at the Provincetown International
Thom says: “I was totally amazed at my appreciation for this film especially because it was for all the wrong reasons, at least as my expectations went. I picked this up due to the presence of Annette Bening, the lovely
Chris says: “Charming Icelandic drama about two sheep-herding brothers who, having been estranged (yet still neighbors) for 40 years must work together when illness effects both of their flocks. Pulls off the neat trick of convincing you it’s about one
Jason says: “The festival opened with a film (400 DAYS) that covers a lot of the same territory – global cataclysm happens while astronauts are undergoing long-term isolation trials – and this one is easily much better, despite having a
Jason says: “There are likely a great many odd cross-pollinations like POLDER that even the most dedicated watchers of world cinema miss because a German art-house adaptation of a Japanese science-fiction novel would appeal to fairly specialized tastes under the
Jason says: “I think that I vaguely recall the ‘Phoenix Lights’ that give this film its name; at least, there was a feeling of familiarity when the footage appeared which demonstrates that filmmaker Keith Arem has either done a nice
Jason says: “There’s always something a bit off about movies like PAPA though they are set in America and surround their (in this case) Chinese star with local actors, the filmmakers don’t quite know how everyday English sounds or the
Michael says: “Hirokazu Kore-eda (LIKE FATHER, LIKE SON, STILL WALKING, NOBODY KNOWS, AFTER LIFE) returns with a lovely, heartfelt portrait of three sisters who discover they have a fourth sister after their estranged father passes away. They bring her into
Bruce says: “NOCTURNAL ANIMALS brings as layered and complex a narrative as anyone will find this year, combined with an unapologetic visual style that accents every complex fold of the plot. Added to the vision of Tom Ford as it
Lorraine says: “NO GREATER LOVE is ending a festival run but will be making a theatrical run and I want to put it on your radar. “It played in the Beaufort Film Festival. I missed the screening but met the