Thom says: “It isn’t just the fact that this is the 4th Hollywood incarnation of the same story (1937 with Janet Gaynor & Frederick March, 1954 with Judy Garland & James Mason, 1976 with Barbra Streisand & Kris Kristofferson) that
Chris says: “Although never a celebrity like Roger Ebert, Pauline Kael was arguably the most influential film critic of her time and easily one of the more outspoken ones. Her unique career trajectory, from running a Berkeley moviehouse to landing
Chris says: “North Adams, a depressed former mill town in far Northwestern Massachusetts is as unlikely a place for a contemporary art museum as one could imagine; MUSEUM TOWN is an in-depth study of how MassMOCA came to inhabit former
Chris says: “ECHO IN THE CANYON POWER RANKINGS: Tom Petty’s last interview and his infectious fandom for the subject at hand. Man, what a loss. Any vintage recording studio footage, esp. The Mamas and The Papas’ immense choral sound. Elderly
Thom says: “It would be presumptuous of me to call myself a huge Jim Jarmusch fan but he certainly has had a large number of top-rated films with me including PATERSON, ONLY LOVERS LEFT ALIVE, BROKEN FLOWERS, COFFEE & CIGARETTES,
Chris says: “A genuinely inspiring story on its own, MAIDEN is further enhanced by its subject, Tracy Edwards, whom through considerable determination, chutzpah and luck managed to conceive of and lead the first all-female team to participate in the Whitbread
Chris says: “Given the copious bodily fluids on display throughout, I can see why A24 was sheepish to give this a wider release. David Robert Mitchell’s (IT FOLLOWS) only real flaw here is that he made a film that simply
Thom says: “This is exactly the type of film I look for in these troubled times. It is honest, compelling, and a true slice-of-life experience, but, that being said, it totally relies on Julianne Moore’s mind-boggling performance to carry it
Chris says: “Jessie Buckley is so damn good she altogether shreds and transcends this film’s standard “I wanna be a star” trajectory; almost as impressive is how the film itself nearly does the same with its not-entirely-expected, somewhat corny but
Michael says: “HONEYLAND was a remarkable documentary; I think it was my top film of the festival. Remarkably shot, incredibly edits, a real gem of a story that was somehow gifted to the filmmaker, HONEYLAND also illuminates a culture I
Chris says: “If a deep dive into the obscure world of 1960s industrial musicals doesn’t at least pique your interest, then this is not a documentary for you. If it at all does, however, you won’t mind spending ninety minutes
Thom says: Last year Ari Aster appeared out of nowhere with his first feature the terrifying HEREDITARY which ended up my favorite film of 2018. So I had enormous expectations for MIDSOMMAR & the viewing actually exceeded them. I was
Chris says: “Lynn Shelton’s first feature in five years (she’s directed a lot of TV in the interim) might be her best. Cynthia (Jillian Bell) and her partner Mary (Michaela Watkins) return to the former’s hometown of Birmingham, Alabama to
Chris says: “Putting aside its novel narrative hook (‘based on an actual lie”), THE FAREWELL is the latest in a long tradition of family wedding films; it’s also one of the more relatable, realistic depictions of such I’ve seen in
Chris says: “Despite the title-referencing dance step, where one always ends up in the same place where one started, this is continually unpredictable to a degree most other films are not. The extended mid-section swaps the bookending domestic melodrama for
Brett says: “This piece is a sort of ‘Hitchcock re-imagined’ film that slowly burns away at the viewer’s sensitivities and perceptions. At the center of the film is a hint of a love triangle among a part-time delivery boy Jong-su, an
Julie says: “‘Being afraid is half the fun,’ or is it ? Coming of age surf movie with some depth beneath the surface. “Atmospheric, moody, great cinematography and performances by newcomers Samson Coulter and Ben Spence as well as seasoned actor
Thom says: “I distinctly thought I’d like this film much more than I actually did. I’d be a total idiot to question its sincerity or even its verisimilitude but this film about the early days of the Act-Up agitprop movement in
Thom says: “This is a very good achievement by director Joel Edgerton, the Australian actor, in this his second feature after THE GIFT (2015) which was just OK. I loved how he used his compatriots Kidman & Crowe in this largely
Chris says: “From the writer of LET THE RIGHT ONE IN, a contemporary fable about Tina (Eva Melander), a somewhat dumpy middle-aged guard for the Swedish border patrol who is excellent in her job, mostly due to her intense, visceral, almost superhuman