The Death and Life of John F. Donovan (2019)

By
Rating:
Director:
Starring: | | | | | | | | | | |

The Death and Life of John F. Donovan

Michael says: “Ah, where do I start with the work of Xavier Dolan. His first film, I KILLED MY MOTHER, was a tour de force for me. A beautiful, emotional story, and an audacious and artistic feature directorial debut. Dolan

Read the review...

Pain and Glory (2019)

By
Rating:
Director:
Starring: | | | | |

Pain and Glory

Chris says: “Doesn’t contain the giddy highs of Almodovar’s best and feels scattered like much of his post-VOLVER output; however, while definitely a mature work, it’s not boring like JULIETA, and the widespread praise for Antonio Banderas’ affecting, multifaceted performance

Read the review...

The Other Side of Hope (2017)

By
Rating:
Director:
Starring: | | | | | | |

The Other Side of Hope

Thom says: “Aki Kaurismäki has long been one of my TOP 10 Living Directors and this film richly adds to his glamorous acclaim. His top rated films include: CRIME & PUNISHMENT (1983), ARIEL (1988), THE MATCH FACTORY GIRL (1990), La Vie

Read the review...

Sorry to Bother You (2018)

By
Rating:
Director:
Starring: | | | | | | | | |

Sorry to Bother You

Thom says: “A good friend gave me a choice of 3 current features & I mistakenly chose this one. I think part of the problem was an age difference. Amongst the 70s group I’m afraid I’ve lost a lot of

Read the review...

Blindspotting (2018)

By
Rating:
Director:
Starring: | | | |

Blindspotting

Chris says: “As regional/provincial cinema goes, this is valuable enough—it depicts Oakland lovingly without sentimentalizing it. Daveed Diggs and Rafael Casal are also good together (and apart) and should each be in more films, please. However, the direction’s ham-fisted, the

Read the review...

The Miseducation of Cameron Post (2018)

By
Rating:
Director:
Starring: | | | | | |

The Miseducation of Cameron Post

Chris says: “APPROPRIATE BEHAVIOR is one of the better directorial feature debuts of this decade; for her follow-up, Desiree Akhavan eschews the earlier film’s explicit biographical feel (she also starred in it) for an adaptation of Emily Danforth’s novel about

Read the review...