Cobi says: “Easily one of my favorites this year. Park Chan-wook remains arguably the most inventive director working, always finding new ways to use camera, editing, set, color, blocking, and tone. The film looks directly at class division, corporate consolidation,
Brett says: “Mona Fastvold’s THE TESTAMENT OF ANN LEE is a master class in film editing. The pace and construction is hypnotic, whether it be through the choreography and musical sections or the depictions of the actors’ portrayals with the added advantage
Michael says: “This curious mix of awkward life lessons, cringey sentimentality, offbeat humor, and moving exploration of grief, might be off-putting for some, but i found myself really enjoying the madcap combination that came across a refreshing, a little amateurish,
Michael says: “Here is a film that one our new members, Adam, tipped me off about as it is eligible but wasn’t on our site (it is now). It features Bae Doona – one of my favorite actresses, so i
Michael says: “What this feel-good divorce movie lacks in bite, it more than makes up with with heart and good acting. Having gone through something somewhat similar to this, ending a long relationship between people who still care deeply for
Chris says: “Amanda Kramer’s follow up to GIVE ME PITY! is also infatuated with outdated media forms but this doc about early AI plays more like a fancy 3-D PowerPoint lecture (with perfectly robotic narration from Debbie Harry.) It’s well