Chris says: “Microsoft programmer and pioneer Ric Weiland is surely worthy of a documentary, but this isn’t it. Feeling padded at just sixty minutes, it has the requisite tribute interviews and archival images of Weiland, but also a lot of unnecessary
Brett says: “This debut feature film from director Ted Stenson carries a strong Wes Anderson influence with both long and full, stationary camera shots and deadpan humor that weaves together a host of characters in converging storylines. As the title
Brett says: “AN IDEAL HOST is a horror-comedy feature film debut from director Robert Woods that has cult classic written all over it. As part of many raucous midnight festival screening events, I must say that the audiences at those
Brett says: “‘This place isn’t like anything. It’s like the absence of things.’ “The debut feature film DIMLAND is Peter Collins Campbell’s exploration into lost youth and disappointment with idle maturity. Highly understated, the film guides audiences to its central
Brett says: “This is a tale of possession lodged in brujeria lore in which protagonist Cristina is discovered by locals after visiting to report on local tribal customs in an isolated region of Veracruz. Immediately, she is taken into custody
Michael says: “This stylized autobiography of a precocious gay boy growing up in Russia, his mail-order bride mother, and their escape to American is sweet and clever, with a few awkward moments, but overall and entertaining jaunt. The first half
Brett says: “From CATFIGHT director Onur Tukel comes a film generated out of the pandemic, and at the time of this writing, it sits at the top of the list among the many pandemic-inspired and topical films I’ve seen so far.
Brett says: “A do-it-yourself thriller-comedy that throws back to Spielberg’s made-for-television DUEL, this film is a microscopic budget first feature that tosses out the tractor-trailer vs. automobile and inserts a motorboat and kayak instead. The absurdity of that concept is
Chris says: “BeBe Zahara Benet won the first season of RUPAUL’S DRAG RACE, but that was back in 2009 when the show’s cultural footprint was comparatively microscopic to now. Although Benet has reemerged in the spotlight, thanks to a final four
Michael says: “This fascinating Australian documentary illuminated for me that fascinating and inspiring life of Valerie Taylor. Today, Valerie is 85, and she is still fighting battles on behalf of the underwater world, a staunch marine conservationist with a most
Michael says: “A clever premise and a surprising twist turned LANGUAGE LESSONS, shot during the pandemic through videochat, an incredibly affecting and effective story. As a gift, Adam’s husband gives him weekly Spanish lessons online, taught immersively by Cariño, a native
“TEDDY is a modern take on werewolf lore and is set for release next week in French theaters. The film’s title protagonist is a young man in his early 20s that is still very much lost in the world. He
Chris says: “Michael Brody Jr. proved Warhol’s 15 Minutes of Fame theory to be spot-on, give or take a week. As a 21-year-old margarine company heir, he made a big splash in January 1970 by appearing on THE ED SULLIVAN
Chris says: “Ruby (Emilia Jones) is a CODA, or a Child of Deaf Adults. Actually, she’s the only hearing member of her family. She often accompanies her father (Troy Kotsur) and older brother (Daniel Durant), both of them fishermen in
Cheryl says: “This film is simply melodramatic, filled to the brim with silent sequences where the protagonist, Michael, attempts to use a myriad of facial expressions to convey his feelings, and often spews dialogue that is frankly on-the nose and
Chris says: “‘Veteran cult actor Udo Kier in a rare starring role as a flamboyant retired hairdresser in Sandusky, Ohio’ is all you need to know about this film. It doesn’t matter that he breaks out of his nursing home
Chris says: “Internet dating in New York City during the COVID age is a compelling enough subject for a documentary, but it’s the way director Pacho Velez approaches it that renders it an essential one. For the most part, he
Cheryl says: “This documentary is a love letter written and directed by Scharf’s daughter and as such, while thoroughly documenting the artist’s life and work, it rarely goes below the surface to show any of his flaws or critics who
Chris says: “Dancer/choreographer Alvin Ailey pretty much gets the standard docu-portrait treatment here, as archival performance footage and interviews are blended in with modern day reminisces (often most satisfying when it contrasts performers from a half-century ago with how they
Chris says: “Architectural students and Mid-Century Modern devotees will find much to like in this study of Marcel Breuer, a Hungarian emigre, Bauhaus student and champion of Brutalism. Although he’s best known for works like the Whitney Museum and UNESCO