Diane says: “In Joachim Trier’s latest film, the lead from his OSLO AUGUST 31ST (2011), Anders Danielsen Lie, almost steals the show from the main character. But I’m not complaining. Lie plays comic book author Aksel, the first serious relationship
Diane says: “RIDE THE WAVE (Martyn Robertson directs his debut doc) had something for both me and my sweetheart!: Scotland and surfing. WAVE hits highlights and lowlights of three years with Ben Larg, a young Scottish surfer who competes on
Diane says: “In WE BURN LIKE THIS, Rae, a young woman living in Billings, MT, calls upon her heritage of survivorship to begin to face childhood trauma and present-day addictions. Filmmaker Alana Waksman packs a little too much thematically into
Diane says: “Director Celine Sciamma (GIRLHOOD, PORTRAIT OF A LADY ON FIRE) disappoints with a slight take on a mother-daughter relationship. Eight-year-old Nelly tries to understand her mother’s depression, especially now after the death of her grandmother. On the long
Michael says: “After seeing the great director Tsai Ming-liang’s latest film, DAYS, I decided to go back and watch his previous film, and the only of his features that I hadn’t seen, STRAY DOGS. Interestingly enough, while I was braced
Michael says: “After hearing some praise about the new streaming television series, RESERVATION DOGS, which director Harjo executive produced as well as wrote and directed for, I decided to dip into his 2009 film, BARKING WATER, before starting in on
Michael says: “Often mentioned as one of the best examples of film noir, I thought I should check out this novel adaptation from 1946. An entertaining romp, to be sure, but it doesn’t have the charisma and appeal as those
Julie says: “Even with Tim Roth and Vicki Krieps, who were both excellent, the story was just so-so and story within story ughh. There was one interesting element near the end that if one blinks they might miss and sort
Brett says: “All’s fair in love and wool. The film LAMB works as a film that’s more about the journey rather than the meaning. Even the most subtle explanation here would involve potential spoilers for the film, so it is
Michael says: “You don’t see whole lot of Southern gothic on film nowadays, but director Lauren Fash (with her co-writer/partner) actress, Susan Graham, have dived wholeheartedly into one, made all the more complicated by an unreliable narrator, and a melodramatic storyline