Michael says: “Low budget, indie films don’t get much better than LAST RESORT. When a Russian woman and her son must pretend to be political refugees after her fiancee doesn’t show up at the airport to pick her up, they
Corinne says: “I loved PRINCESS AND THE WARRIOR! I hadn’t read about it so it was a complete surprise. Cinematography and Acting nomination for Potente I think for me- maybe more. I had to laugh at the button/glass slipper symbolism-
Diane says: “Ya gotta love Pete Postlethwaite, but RAT was a disappointment, especially after being billed as ‘Kafkaesque.’ In this Irish comedy about a man who turns into a rat after a trip to the pub one night, members of
Diane says: “POLLOCK, directed by and starring Ed Harris, is worthwhile for the educational aspect and the acting. Contrary to reviews that say it does not bend to the cliches of presenting an artist’s life, I’d say it is cliche
Diane says: “PANIC stars William H. Macy as a hit-man who wants to get out of that line of work. (Hey, I’m reminded that ‘Those the River Keeps’ [prequel to ‘Hurlyburly,’ stage version only] did a grand job with that
Esmé says: “What an emotional and hard/tender movie about three young girls in Brooklyn. Packed a punch. In fact, I thought it had striking similarities with THE CIRCLE, in the sense of the limited opportunities, and in fact freedom, for
Howard says: “I LOVE a good ghost story and have been looking forward to seeing this for a few weeks. Thankfully, none of my friends who had seen it gave it away. “I thought the entire cast was terrific especially
Diane says: “I’m wondering should I recommend this to people on the strength of the first 45 minutes… This movie has such wit and brightness. The opening montage of babies laughing and crying is excellent. This is followed by a
Hilary says: “OCEAN’S ELEVEN is a fun diversion. Clearly, Stephen Soderburgh can make great films in his sleep — this one looks great, and the cast includes several actors who’ve appeared in his films previously and had a hell of
Hilary says: “I wouldn’t quite call NOVOCAINE a neo-noir, but it certainly owed a lot to the genre, much like THE DEEP END (a favorite from earlier this year). Steve Martin’s protagonist, Dr. Frank Sangster, a successful Chicago dentist, reminded