Esmé says: “THE SEA is a sort of Icelandic King Lear. An aging patriarch calls his children back from the 4 corners of Europe to give them news of what, they aren’t yet sure. He owns an antiquated fish processing
Howard says: “As a docudrama, SEABISCUIT plays wonderfully. Here are reenactments of the most important moments of the horse and the people who loved him. As a piece of cinema it lacks slightly. It’s interesting and even compelling at times,
Diane says: “SCHOOL OF ROCK is the film that TO BE AND TO HAVE wanted to be! Great opp. to admire Mike White’s eyelashes once again. Only way this movie could have been improved would be to have shot it
Diane says: “Documaker Rob Moss revisits some of his rafting pals from a Grand Canyon trip in 1978, made into a docu called ‘riverdogs.’ Too bad he doesn’t give newcomers like me enough context for the first trip and what
Howard says: “I wondered when I watched the trailer for SCARY MOVIE 3 why I was laughing so hard. Sure I enjoyed the first two films, but they seemed… amateurish. Yeah, I know the entire series is nothing but crass,
Michael says: “Day 2 of the Boston International Festival of Women’s Cinema saw Rose Troche and her third film, THE SAFETY OF OBJECTS. Based on the short stories of A.M. Homes, Troche elegantly weaves the disparate stories into a unified
Ivy says: “I watched RUSSIAN ARK a few months ago when Ned and I were deciding if we were brave enough to play a Sukarov film for an entire week. He has been compared to Tarkovsky but doesn’t have the
Bob says: “Andy Goldsworthy is referred to as a sculptor, but the term doesn’t sufficiently describe what he does. True, he often works with solid forms, but his work is really about time, nature, and the processes those elements involve.
Laura says: “Italian director Liliana Cavani (THE NIGHT PORTER) looks at Tom Ripley decades after his initial descent into evil. John Malkovich is perfectly cast as the amoral epicurean, now living grandly in a Veneto villa with his harpsichordist wife
Michael says: “Catching up on my Canadian films, this romance directed by Deepa Mehta (WATER; FIRE) was adapted from a novel by the talented Carol Shields. It played the Toronto International Film Festival in 2003, and was released in Canada