Bob G. says: “It’s very difficult to view this film as anything but an amped-up AfterSchool Special. The material is unflinching and honest, but director Catherine Hardwicke is so mired in overtly arty camera work and kaleidoscopic color palette changes
Howard says: “A Terminator movie without James Cameron? How could they? Easily, it seems. TERMINATOR 3: RISE OF THE MACHINES takes place ten years after TERMINATOR 2: JUDGEMENT DAY. John Connor is in his early teens and has been hiding
Ivy says: “I am slowly picking off the last of the films I need to watch for the Chlotrudis nominations and the latest film I viewed was TEN this afternoon. I truly loved this film. As an Iranian film it
Michael says: “How can you not love a film that’s a bizarre melding of Hello Kitty, YELLOW SUBMARINE, ‘Betty Boop,’ and an indictment against consumerism and religion all at the same time? TAMALA 2010 : A PUNK CAT IN OUTER
Ivy says: “I was lucky enough to catch this on the Sundance Channel. I have seen many bad Korean films, their film industry is still trying to form an identity instead of making cut-rate Hong Kong or Japanese films and
Bob G. says: “30 minutes into SWIMMING POOL you find yourself unavoidably engaged, much to your chagrin, given the lack of physical screen action. There’s not a lot going on here, at least on the surface, but Charlotte Rampling and
Bruce says: “SYLVIA documents the last years of Sylvia Plath’s life, from the time she met and married Ted Hughes. While I liked this film, I found it more than a bit depressing. What was I expecting? It seems an
Michael says: “British filmmaker Ken Loach released two films in 2003, both woefully underseen. I hope to catch up with THE NAVIGATORS later this weekend, but I caught his more recent film SWEET SIXTEEN, on DVD this morning. “Loach’s usual
Laura says: “In a one hour running time, Katz explores how a white Jewish schoolteacher came to write the song which Holiday claimed, incorrectly, was written for her and which was later adopted by the Civil Rights movement. STRANGE FRUIT
Michael says: “2003’s string of outstanding documentaries continues with Mark Moskowitz’s powerful rumination on literature and its effect on our lives. In the early 70’s Moskowitz read a review in the NYT Book Review of Dow Mossman’s first novel, The