Bruce says: “Just when I think I’m tired of caper films, one comes along that seems to refresh the genre. SEVEN TIMES LUCKY is one of those surprises, not because the double-crosses are better than rival capers but because it
Michael says: “This charming, French Canadian film is in the vein of WAKING NED DEVINE and CHOCOLAT, in its sweet, inoffensive, feel-good storyline. These films always make me feel slightly uncomfortable when considered in the independent millieu. Why is it
Hilary says: “In portraying Ramon Sampedro, a Spanish quadriplegic who fought for the right to die, Javier Bardem is presented with a great acting challenge, as it all must be done using only his face and voice. Bardem is a
Clinton says: “Back to the docs. I’d venture to call this one ‘cool and crazier,’ which, despite the cheesiness of the pun, is a pretty accurate reflection of the Screaming Men Choir. These Finnish rebels get together once a week
Chadd says: “‘SAW has had a fairly good marketing campaign because of its distribution. One of the tag-lines to this marketing was the favorable comparison to the David Fincher film SEVEN. SEVEN happens to encapsulate all that I enjoy about
Bruce says: “This film is wildly innovative and original, a stunning success creatively speaking. It is unique. Filmed in fuzzy sepia and silver tones for the most part, the film lapses into moments of strange color, the returns to the
Diane says: “I was horrified that this was at an indie festival–and a packed house! Starts as a sophomoric satire of born-again Christians, ends spouting a platitudinous Christian message. This was at Sundance?! The Slant reviewer wrote: ‘An early contender
Barbara says: “I think this is worth seeing. The four stories all have a connection to robots or robotics and are each focused on a strong emotion. ‘My Robot Baby’ recalls a turbulent childhood. ‘Robot Fixer’ deals with a mother
Chris says: “In this modern-day take on Verdi’s 16th century opera ‘Rigoletto.’ Rick O’Lette (Bill Pullman) is a rotten jerk of a corporate middle manager. He has an even more obnoxious boss half his age (Aaron Stanford) who unknowingly pursues
Bruce says: “In sociology, one must be interested in society. That is what Karim (Karim Tarek), a straight man living with his girlfriend Sihem (Sihem Benamoune), thinks as he chooses North African gay men as a topic for his video