Peter says: “With his new film SHORTBUS, John Cameron Mitchel again demonstrates why he is one of the most innovative writer/directors in independent film today. Mitchell, who also wrote, directed and starred in HEDWIG & THE ANGRY INCH this time
Bruce says: “Mixed genre films are tricky business; they are difficult to carry off and equally difficult to digest upon a single viewing. SHADOWBOXER is a black comedy, thriller, romance and crime drama all rolled into one unique package. To
Bruce says: “Gael Garcia Bernal (Y TU MAMA TAMBIEN, BAD EDUCATION, AMORES PERROS, THE MOTORCYCLE DIARIES, and THE CRIME OF FATHER AMARO) has extraordinary talent. THE SCIENCE OF SLEEP is a wise choice for his resume, literally a showcase for
Chris says: “In 2001, Richard Linklater’s WAKING LIFE merged live action with animation via a process called ‘interpolated rotoscoping,’ creating a fluid visual tableau that one could best liken to watching a painting coming to life. Much of its appeal
Bruce says: “**SPOILERS** “In my opinion Ferzen Ozpetek’s films have improved with every film he has made beginning with STEAM , followed up by HIS SECRET LIFE and FACING WINDOWS. I unhappily report that SACRED HEART (CUORE SACRO in Italian)
Bruce says: “RUSSIAN DOLLS is written by a director who loves his characters yet is not afraid to have them make plenty of mistakes as they discover how to love and be loved. Employing plenty of digital tricks in the
Bruce says: “China and Japan have a contentious relationship for hundreds of years, particularly in the years since Japan occupied parts of China and Taiwan in the early 20th century. Diplomatic relationships did not resume until 1972 and attitudes on
Bruce says: “Michael Winterbottom, one of the most prolific film directors currently working, is often attracted to political subjects in films like WELCOME TO SARAJEVO and IN THIS WORLD. Those films touched on the aftermath of wars in Yugoslavia and
Bruce says: “Films about illness and disability used to run the risk of being slotted into the ‘Ailment of the Week’ made-for-TV film category. That insult is mostly a thing of the past since television is now many times more
Bruce says: “Being no fan of Salvatores’ Oscar winning MEDITERRANEO or the more recent I’M NOT SCARED, I was a bit hesitant about seeing QUO VADIS, BABY? While I was somewhat pleasantly surprised, the film is not without its problems,