Chris says: “It’s easy for most of us to forget what it feels like to be a child, especially if you don’t work with children or aren’t a parent. Bradley Beesley and Sarah Price’s straightforward but affecting documentary unerringly captures
Jason says: “STRENGTH AND HONOUR is likely not a movie I see outside of a festival setting, because it looked to combine a couple of genres I’m not particularly fond of – the ‘poor and miserable Irish people’ movie and
Bruce says: “SUMMER PALACE created quite a sensation when director Lou Ye defied Chinese censorship and refused to edit this film before screening it at the Cannes Film Festival. I do agree with the Chinese government that SUMMER PALACE needs
Michael says: “STEPHANIE DALEY is a small, indie film that had a brief run in Boston back in May. It starred Tilda Swinton (THE DEEP END; TEKNOLUST) and Amber Tamblyn (THE SISTERHOOD OF THE TRAVELING PANTS), and got fairly positive
Michael says: “Come on, wouldn’t you see this for the cast alone? Another film featuring a widowed academic in New York City, similar in gentle tone to THE VISITOR, but with a different look at the way we live our
Bruce says: “Just before Christmas, Lionel (Lionel Baier) discovers that his family tree has some Polish branches. Most people would find such information mildly interesting but Lionel is a man of extremes. Although he is openly gay, he dumps his
Jason says: “SPIRAL is about as thin as a feature film can be, to the point where I think that maybe there’s not a feature’s worth of material to it. I wonder if it wouldn’t drift into obscurity, even by festival-circuit
Michael says: “‘Well, that was something.’ “My words about SOUTHLAND TALES spoken to my Chlotrudis colleagues as we left the theatre. “‘Well, we saw it.’ “My final words about SOUTHLAND TALES as we broke up for the evening. “Chlotrudis members
Jay says: “Alan Rickman is an underappreciated treasure. It sounds like an odd thing to say, because he’s been a quite memorable part of some huge hits, but movies where he’s the feature attraction appear and disappear quickly and quietly
Bruce says: “Brillante Mendoza, director of MASSEUR which I saw at the 2004 Toronto International Film Festival, has come a long way in a few years. He still uses many untrained actors although the four leads in SLINGSHOT are actors