Marilyn says: “On Wednesday, we took whatever we could which turned out not to be so bad. We saw a small film that told a sweet and poignant story. ONE WEEK is a Canadian film and a love poem to
The New Year Parade (USA; 85 min.) directed by: Tom Quinn starring:Paul Blackway; Andrew Conway; Irene Longshore; Greg Lyons; MaryAnn McDonald; Jennifer Welsh Bruce says: “Working from a beautifully crafted script, Tom Quinn has made a lovely film, the
Bruce says: “Although NEVER APOLOGIZE has a documentary label, it is a screen adaptation of Malcolm McDowell’s one-man show that originated on stage. Wearing a tuxedo jacket, an open white shirt and baggy jeans, McDowell, a raconteur par excellence, enthralls
Chadd says: “As I discussed my love of indie and foreign film to a woman I recently met (coincidentally, the same woman who accompanied me to see this film), I described that the process of viewing most foreign films is
Beth says: “This film is among other things, an ode to Toronto by Torontonians – and it’s a small world in Canadian cinema circles! Don McKellar, Tracy Wright and Nadia Litz play revolutionaries past and present living on the edge
Bruce says: “Many might call MILK Gus Van Sant’s return to content from his concentration on form in recent films such as GERRY, ELEPHANT, LAST DAYS and PARANOID PARK. The one thing that MILK does have in common with the
Jason says: “MISTER LONELY invites the audience to ponder many philosophical questions. What is the purpose of a miracle? Is it a blessing or a curse to find oneself among people who share your passions completely? Can you choose your
Jason says: “I don’t know if mentioning the date of May 18th even without including a year has the same immediate, nearly-universal effect on South Koreans that bringing up September 11th has on Americans, but it must strike a chord
Chris says: “In 1974, Philippe Petit, an impish, excitable young Frenchman did an impossible thing—he managed to string a tightrope across the roofs of the World Trade Center twin towers and walk on it (although ‘dancing’ seems a more fitting
Michael says: “Ira Sachs (FORTY SHADES OF BLUE) leaves his tested theme of outsiders living in the modern-day South and enters 1950s, northwestern suburbia to look at the domestic difficulties of marriage in MARRIED LIFE. The talented acting pair of