Michael says: “As in JELLYFISH, my favorite film from last year, MAMMOTH finds as one of its core conflicts, a mother traveling half-way around the world to take care of other people’s children in order to make money to support
Bruce says: “Sebastián Silva follows the adage that one should write about what one knows. THE MAID tells the story of his family’s maid during the time he was growing up and was filmed in the actual house where the
Jason says: “Let’s face it: The whole deal with gangs and movies intersecting in such a way as to cause hilarious, self-referential misunderstanding is pretty darn played out. I groaned a little just reading the description for THE MAGIC HOUR,
Diane says: “Saw LYMELIFE on the strength of the trailer, plus the appeal of two elements: Lyme disease and Long Island in the ’70s. “Variety says, ‘Startling performances, searing dialogue and an archaeologist’s sense of late ’70s period detail power
The Loved Ones (Australia; 84 min.) directed by: Sean Byrne starring: Xavier Samuel ; Richard Wilson; Jessica McNamee; Victoria Thaine; John Brumpton Thom says: “This Australian horror entry was brief, to-the-point, gruesome, & rather fun. It’s Prom Night in
Jason says: “Though I tend to think that attempting to fit a movie into a specific genre and then being frustrated when it fails to fit there nicely speaks more ill of the viewer’s inflexibility than the movie itself, I
Michael says: “In Provincetown for the weekend and as luck would have it, the Provincetown International Film Festival has a slate of Women’s Week Films running at the Whaler’s Wharf! Wary of catching some amateurish, lesbian film (a la BAR
Jason says: “If THE LOST SON OF HAVANA were fictional, there’s a good chance that people would call its screenplay ridiculous. After all, it features the World Series, the Negro Leagues, multiple incredible returns from injury, baseball bringing about a
Chris says: “Few films baffle me as much as this one initially did. Jim Jarmusch has always been a particularly austere auteur: his narratives tend to unfold at a zen-like pace and the films’ structures possess as much weight as the stories
Jason says: “LETTERS TO THE PRESIDENT is somewhat difficult to review as a film because it does its job so well. It is trying to give the audience a snapshot of the relationship Iran has with its populist president, and