Diane says: “Awesome. I grew up with STAR TREK and found this film very satisfying. Impressed with art director’s restraint in keeping the futuristic look developed in the 1960s, and with the graphics of the black holes. Nice touch to
Jason says: “The ‘mumblecore’ generation is, perhaps, starting to get interesting. Digital video is both good and cheap enough that these movies no longer default to looking like a muddy mess. More importantly, the characters are starting to feel much
Jason says: “Apparently ‘splinterheads’ are a subset of what I’ve always thought of as ‘carnies,’ but that’s apparently like calling a sailor, Marine, or airman a ‘soldier’ – outsiders may think it’s close enough, but in actuality it’s not. Carnies
Diane says: “I love many of Iranian filmmaker Majid Majidi’s films (CHILDREN OF HEAVEN, BARAN, WILLOW TREE, COLOR OF PARADISE) for their gentle recognition of the beauty inherent in life. SONG OF SPARROWS, however, is so driven by its morality
Michael says: “Beautifully shot in black & white, Shane Meadows’ (THIS IS ENGLAND) latest film SOMERS TOWN is a sly look at two teenagers who become friends in working class London. Marek has recently arrived from Easter Europe and spends
Jason says: “There have been many sequences in movies where someone loses his or her job, but few have been so callously cruel as the one that opens TOKYO SONATA: A pretty girl walks through an office, drawing all eyes.
Thom says: “This is one of those big-budget extravaganza & fantasy creation that is beautifully done with lovely images of creatures from lost worlds. The time is the 1500s and our hero Kane has to fight pure evil to overcome
Jason says: “Science fiction on film is tricky. The money to do spectacle generally comes with strings attached, but without it, a filmmaker runs the risk of having their world look unconvincing or settling for using their big ideas to
Jason says: “The appeal of the deliberately shoddy homage continues to elude me, even when I find something to enjoy in one, as I did with SMASH CUT. Wouldn’t it be a finer tribute to take what you learned from,
Jason says: “I have more or less ignored BROKEN LIZARD for what are pretty stupid reasons: The trailers for SUPER TROOPERS didn’t amuse me and it later became a movie much-loved by people who were fans of comedies I disliked.