Jason says: “The ‘getting to know you’ movie is a vital part of the independent film scene. Aside from being something that can be shot on a budget – get a couple actors, some friendly locations, and a script with
Jason says: “NO MERCY FOR THE RUDE isn’t exactly the movie its English-language title would imply. The name implies some sort of satire or that the rudeness is important, and that’s not really where this movie’s going. It’s a much
Jason says: “At times, it’s a bit hard to grasp that Orson Welles was a sex symbol, once upon a time. Forget the way he ballooned to a size that matched his ego and personality later in life; he did
Bruce says: “MASQUERADES is one of those films that take me by surprise and win me over easily. The story is a small one and perhaps not that original. Three old men sit in the village square when a group
Jason says: “It’s interesting how certain things seem to arrive in clusters. Stop-motion animation never seemed to disappear quite so completely as the traditional cel-based form, but what has appeared over the last year or so has been an unexpected
Bruce says: “MAKING THE BOYS, a documentary about the creative process in developing The Boys in the Band and the resulting impact it has had on the gay community, was entered in the 2009 Tribeca Film Festival as a work-in-progress.
Michael says: “As in JELLYFISH, my favorite film from last year, MAMMOTH finds as one of its core conflicts, a mother traveling half-way around the world to take care of other people’s children in order to make money to support
Bruce says: “Sebastián Silva follows the adage that one should write about what one knows. THE MAID tells the story of his family’s maid during the time he was growing up and was filmed in the actual house where the
Jason says: “Let’s face it: The whole deal with gangs and movies intersecting in such a way as to cause hilarious, self-referential misunderstanding is pretty darn played out. I groaned a little just reading the description for THE MAGIC HOUR,
Diane says: “Saw LYMELIFE on the strength of the trailer, plus the appeal of two elements: Lyme disease and Long Island in the ’70s. “Variety says, ‘Startling performances, searing dialogue and an archaeologist’s sense of late ’70s period detail power