Jason says: “As near as I can tell, J.K. Simmons has never had a starring role in the movies or on television. He’s been part of ensembles, and stolen scenes in supporting parts, but being the first guy listed in
Julie says: “There was one funny moment in the grocery store at the beginning of the movie which involves a loud speaker. Feel free to turn the movie off after that. The rest just seemed very amateurish to me and
Jason says: “MOOZ-LUM opens with ‘based on actual events,’ and it does wind up feeling like the sort of the sort of movie that such a label gets applied to. It’s well-observed and at times fascinatingly authentic, but also clearly
Michael says: “Julian Schnabel, director of the acclaimed THE DIVING BELL AND THE BUTTERFLY, tackles the Israeli-Palestinian conflict in this ambitious historical tale told from the point-of-view of an idealistic, but naive young Arab woman named Miral. In 1948, Hind
Jason says: “MILOCRORZE: A LOVE STORY is the sort of colorful, genre-mashing flick that doesn’t just try to bowl the audience over, but practically insists on it, overwhelming the viewer with color and sound and sudden shifts until they either
Thom says: “I was all prepared to like this brilliant film from all the rave reviews but I had no idea I’d love it this much. The story: a successful but frustrated Hollywood screenwriter (Gil, Owen Wilson) travels to his
Diane says: “RUSSIAN ARK meets Mel Gibson’s PASSION. This gorgeous, soporific Polish film turns Bruegel’s painting, ‘The Way to Calvary,’ into a mostly wordless narrative. Concept is great (digitized background of the painting’s landscape with live actors in middle- and
Jason says: “MIA AND THE MIGOO isn’t a new film; it played the festival circuit and various markets two and a half years ago, including the New York International Children’s Film Festival. Apparently Matthew Modine saw it at one of
Jason says: “As hooks go, it’s tough to beat the one Lars von Trier uses to start MELANCHOLIA: The world ends in such slow motion that time almost seems to be standing still. It’s a fantastic scene of planetary destruction,
Jason says: “Why don’t you want to see this movie at the end of a long day? Because it is frequently boring, and seeing it in that condition will exacerbate this. Reducing it to simply that one adjective is tremendously