Thom says: “Beloved Johnny To returns to TIFF with an atypical entry from the Hong Kong master. Instead of the usual shoot-‘em-up gangster film that To has refined to the finest degree we get an imperiled financial world drama, that
Jason says: “You can do a movie like A LETTER TO MOMO with live-action nowadays, and it’s increasingly common, but animation of the traditional variety still seems the best medium for this sort of fantastical but relaxed family entertainment: It
Jason says: “A LATE QUARTET starts out with a fair amount of promise: It’s got a cast full of fine character actors, a somewhat unusual setting in the world of classical music, and a premise that is easy to grasp
Jason says: “THE LAST PUSH is a movie by space nuts but for a larger audience, and I very much hope that it will find one on the festival circuit. The filmmakers give themselves the opportunity to do a lot
Jason says: “In addition to directing his own films, Luc Besson has spent the past decade or two writing and producing action movies tailored to their stars; Michelle Yeoh was arguably the biggest female action star in the world during
Thom says: “I might have passed on this Danish uproarious comedy that is not without a cruel, macabre streak, had it not been a free viewing and I was delightfully suprised. This was adapted from the smash Danish television series
Jason says: “It happens to nearly every writer, musician, or film director who doesn’t die young: Because they never really retire, they’ll eventually have an unimpressive period that runs longer than even a long run of success. Take William Friedkin,
Jason says: “Animation fans will spend a great deal of time telling the rest of the world that the medium is good for more than children’s entertainment, and will point to movies with either violent content or mature themes to
Thom says: “This is the final TIFF 2011 film that I review, excepting others I will most likely see after this date. Quite a few are already playing in theaters including LE HAVRE, THE DESCENDANTS, MONEY PIT, & others. Wheatley
Bruce says: “The Dardennes are back with another tale of disillusioned youth. This time the subject child is Cyril (Thomas Doret) a child who has been dumped in an orphanage after his father Guy (Jérémie Renier) abandons him. Cyril’s first