Jason says: “There are certain comedies where the viewer might realize that what’s going on really make no sense even as the absurdity unfolds on screen, but will consciously forgive it because this particular joke is worth that particular bit
Chris says: “The premise sounds precariously iffy: in the ‘near future’, Frank (Frank Langella), a retired old coot suffering from the early stages of Alzheimer’s, is given a robot caretaker from his son. Although it looks rather cheap (resembling EVE
Jason says: “RESOLUTION gave me the creeps, and while it’s easy to dismiss that as just what horror movies are supposed to do, take a minute to think of how many of the last ten you’ve seen genuinely did so
Jason says: “It’s easy to hear a phrase like ‘culture wars’ and think that it’s over-stating the matter; most people, most of the time, stick to their own thing, grouse that there’s not more that reflects their beliefs and tastes,
Jason says: “A popular game among festival attendees after REIGN OF ASSASSINS (JIANYU) was to try and guess just which parts were worked on by ‘co-director’ (and producer) John Woo. Certain elements of the action, certainly, although several pointed to
Jason says: “[REC] 3: GENESIS breaks with the previous films in the series enough that one almost wonders if director Paco Plaza had the idea for the movie and then figured that the benefits of folding it into [REC] continuity
Jason says: “QUICK is, when you get down to it, a pretty stupid action movie that tries to camouflage this fact with raw speed. The filmmakers would likely have no argument with that assessment if given it directly, just asking
Bruce says: “A story is told early on in QUEEN: DAYS OF OUR LIVES about catching Freddie Mercury in tears, ‘I’m not going to be a pop star……I’m going to be a legend.’ Then he was a gawky youth from
Jason says: “From the name it’s been given in English, PUNCH, you might expect WON-DEUK-I to be an inspirational sports movie, and it’s got some of that in the later reels. In reality, it’s actually something closer to an inspirational
Thom says: “Hoffman’s professional and unobtrusive direction is all that more powerful as his only other time spent behind the camera was STRAIGHT TIME (1978) that he co-directed with Ulu Grosbard. This love inspiration film takes place at a large