Thom says: “Here’s another atrocious film from the vastly overpraised Sally Potter, & I never seem able to learn my lesson. I did give her first film ORLANDO my highest rating, perhaps in retrospect more for the presence of the
Chris says: “Ostensibly about two graffiti artists/small time pot dealers on a quest to tag New York City’s most desired (and untagged) target, the big apple that pops up whenever the Mets hit a home run at Citi Field, GIMME
Jason says: “Many films boast of firsts, but THE GHASTLY LOVE OF JOHNNY X has to settle for lasts: Last film shot on Kodak’s Super-X black-and-white film stock. Last role for Kevin McCarthy of INVADERS OF THE BODY SNATCHERS fame.
Michael says: “About thirty minutes into GEOGRAPHY CLUB, I started to get pretty uncomfortable. Based on a teen novel, Russell is a good-looking, athletic high-school student struggling with his sexuality. He‘s trying to meet someone online, but he’s nervous because
Chris says: “This Academy Award-nominated documentary consists of interviews with six former heads of the Shin Bet (essentially the Israeli equivalent of the Secret Service), spanning the Six Day War (late 1960s) to the present. The openness and candor with
Thom says: “This Chlotrudis offering far out-met my expectations which is always a thrill for this inveterate viewer. Of course I’d seen PUMPING IRON (1977) back in the day, & was surprised probably as anyone at the continued career &
Jason says: “A new animated film from Makoto Shinkai at this point necessitates my going back and re-reading what I have written about the rest of his productions, as it can look somewhat lazy to praise him the same way
Jason says: “You don’t really need that much of a hook for a coming-of-age film – they’re more or less going to cover the same territory, albeit in different ways – but it doesn’t hurt to have one. That way,
Thom says: “After KICKING & SCREAMING, MR. JEALOUSY, THE SQUID & THE WHALE, GREENBERG, & MARGOT AT THE WEDDING all cineastes are aware of Baumbach and except for the misstep GREENBERG he’s always interested me but this is far-and-away his
Chris says: “So powerful and upsetting are the last twenty-odd minutes of Ryan Coogler’s debut feature that it’s not hard to see why it won the 2013 Sundance Film Festival’s Grand Jury Prize. In recreating the moments that led up