Jason says: “I must admit to bring a little surprised that John le Carré is still with us and writing contemporary works; I had sort of aimed he faded away with the end of the Cold War. This, it turns
Jason says: “Having a crappy job or two is often a rite of passage for folks in their late teens and early twenties, and if you live in a country like Israel with mandatory military service, having that turn out
Chris says: “Michel Gondry’s most ambitious film to date, MOOD INDIGO alternately plays like one of the director’s early, playfully innovative music videos stretched to feature-length, or ETERNAL SUNSHINE without brakes, or AMELIE on crack. An adaptation of a beloved
Jason says: “2011’s HAUNTERS was an excellent Korean movie that established a simple premise – two people with opposite superpowers (mind control and rapid healing) on a collision course – and delivered with entertaining action pieces, a likable cast of
Chris says: “Those familiar with Quebecois wunderkind Xavier Dolan’s small, extraordinary oeuvre may notice the title and remember that his first feature was called I KILLED MY MOTHER. This, his fifth, is not a sequel, but it occasionally scans as
The Mole Song: Undercover Agent Reiji (Japan; 130 min.) directed by: Takashi Miikestarring: Toma Ikuta; Mitsuru Fukikoshi; Kenichi Endo; Shinichi Tsutsumi; Riisa Naka Jason says: “A few weeks ago, someone recommended a comedy to me by saying ‘it’s great –
Jason says: “One often talks of ‘opening up’ plays when adapting them to film, doing things to obscure the fact that they were originally created to take place in a limited number of limited spaces, all viewed from a single
Jason says: “I passed on seeing THE MISSING PICTURE one night this week, overstating in my head how tight a squeeze it would be to get to the theater on time because I wasn’t in the mood for it that
Jason says: “Sarah Adina Smith’s THE MIDNIGHT SWIM is one sort of movie in the sometimes ill-fitting skin of another, and I wonder if shedding that skin would allow it to be seen more clearly as a sharp tale of
Mea Culpa (France; 90 min.) directed by: Fred Cavayéstarring: Vincent Lindon; Gilles Lellouche; Nadine Labaki; Max Baissette de Malglaive Jason says: “A couple years ago, French director Fred Cavayé garnered some attention from international action-movie fans with POINT BLANK (/review/index)