Michael says: “Essie Davis is on a roll with portrayals of fierce but flawed mothers protecting their children. She made a big impression in THE BABADOOK, then followed that up with BABYTEETH. Now she tops THE JUSTICE OF BUNNY KING,
Michael says: “This is a curious, nearly experimental film that rides mainly on the strength of Vanessa Kirby’s performance. In a dreamlike sojourn through a New York City night, Kirby plays Alina Reynolds, a writer of a collection of short
Michael says: “POSER starts off promisingly enough, with Lennon, a introverted young woman who starts a podcast to profile the indie musicians populating the vibrant Columbus, OH music scene. She attends shows and interviews a variety of musicians, adding in
Michael says: “I’m not a fan of movies about serial killers, and I have no interest generally, in getting into their heads to see how their minds work. However I was drawn to Amber Sealey’s NO MAN OF GOD, a
Michael says: “I don’t see a lot of films about UFO abductions, but NO RUNNING was certainly no THE VAST OF NIGHT. Both films borrow from earlier genres… VAST the radio syndicated program, and NO RUNNING B-movie science fiction, but
Michael says: “This Israeli film joins the ranks of fun and whacky movies about everything going wrong overnight in a big city. Newlyweds arrive at their luxurious hotel suite after the reception festivities and quickly break down into a fight
Michael says: “Off to a disappointing start, actor/director Hannah Marks’ second feature explores ethical non-monogamy, a philosophy about relationships that has been growing in popularity among young folks. Unfortunately, Marks said in an interview, it’s not a philosophy that she
Michael says: “I watched this bizarre Australian musical after hearing about it on the Brattle’s podcast. I was intrigued because it was the second feature narrative film by the talented director Gillian Armstrong; a very bizarre follow-up to her amazing