Michael says: “The premise was intriguing, and it was on a list of essential film’s to watch, but Andrew Niccol’s directorial debut, was a big loser for me. When a genetically inferior man tricks his way into a job that
Michael says: “I always had the impression that the 50s science fiction movies were cheesy and dumb, and not really worth the time to watch them. I’m glad I was wrong, and that I decided to check out THE DAY
Michael says: “I am a big fan of Turkish director Nuri Bilge Ceylan, despite the dense, sometimes inscrutable films he makes with running times sometimes well over three hours. His first film, DISTANT, plays like a sober, languid, dramatic version
Michael says: “Based on the Greek myth of Orpheus and Eurydice, ORPHEUS was the sixth of only eight narrative films that Jean Cocteau directed, the most famous of which, of course, is BEAUTY AND THE BEAST. Cocteau’s ORPHEUS revolves around
Michael says: “I have seen CITIZEN KANE before… about twenty years ago, so when it came up again in the Brattle podcast, about how it’s such a classic, in fact, probably THE classic film, and I couldn’t really remember much
Michael says: “I have a dirty little secret… I’m not a fan of the muppets. I know, it’s sacrilege, but I enjoyed Sesame St. as a child, but I never really got into the Muppet Show, nor did I enjoy
Michael says: “Continuing my odyssey to fill some of the gaps in my movie-viewing history, I caught up with Michelangelo Antonioni’s BLOW-UP. Released in 1966, BLOW-UP, while superficially a mystery of sorts, is really a curiously mysterious, visually stunning look at
Diane says: “Latest Pixar is bedeviled by a MacGuffin chase that makes it generic. It’s the first half hour of the film, the beautifully moving story of a couple passing from youth to old age and relinquished dreams, that makes this
Michael says: “Most of French director Quentin Dupieux’s films begin with a simple, but completely bizarre and often ridiculous premise, that he is then able to spin into an entertaining yarn with some social commentary threaded in. With MANDIBLES, a
Vicki says: “INDIA SWEETS AND SPICES is an Indian inter-generational coming of age film. It tries to take on too many themes and , as a result, it falls flat. It has some good moments and a fine performance by