Michael says: “Slightly absurdist in a deadpan delivery Martín Rejtman’s fifth feature explores a large cast of characters revolving around a mildly depressed yoga instructor, newly separated from his wife, all seemingly practicing for a life they are living. Great
Michael says: “Watching the opening scene of Hal Hartley’s latest film, Where to Land, and hearing the beautiful dialog spoken by Hartley vets, Bill Sage and Robert John Burke was so refreshing — like tasting a favorite food after 25
Diane says: “Perfect! My sweetheart and I had recently re-watched Hitchcock’s THE BIRDS and earlier in the day we were alarmingly strafed by gulls. “I thought we’d watch for ten minutes as a joke, but we were captivated. Afterwards, we
Garrett says: “THE ALABAMA SOLUTION is the latest production from Andrew Jarecki and Charlotte Kaufman of Capturing The Friedmans and The Jinx. In it, the story of a poor family’s struggle for truth and justice after their son’s brutal prison murder
Diane says: “I’d seen the gist of a few reviews for ANEMONE (Ronan Day-Lewis, director; Ronan and Daniel Day-Lewis, screenplay; Daniel, actor) so was predisposed to be disappointed. Critics were so excited to see DDL back on the screen that
Diane says: “Lanthimos’ latest, about bee colony collapse (if you believe that…), is a remake of the Korean black comedy/horror SAVE THE GREEN PLANET. And it’s very good, but not for me. I don’t like having all my muscles clenched
Diane says: “Hip hip hooray for PT Anderson! His new ONE BATTLE AFTER ANOTHER is an intense thrill ride (like BUGONIA is intense, but you’re happier afterwards). Deserving of a screenplay nom for updating Pynchon’s Vineland (once I get my
Cobi says: “A friendly, earnest celebration of grammar and wordplay. The crowd I saw it with absolutely loved it; every pun landed, and it was fun to feel the room respond. “For me, the concept didn’t deepen much beyond its
Vicki says: “A sweeping epic about Magellan that goes on for way too long. Apparently it is one of Philippine director, Lav Diaz’s shorter films. “It does not hold back from depicting the horrors of the two pivotal wars in