Peter says: “Winning the Special Jury Award for Creative Vision at the Sundance Film Festival, Filipiñana is that kind of slow-moving art film you might need to pinch yourself a few times to keep from nodding off. “The film primarily
Peter says: “Last year, I traveled internationally for the first time, and part of my European excursion involved visiting the Vatican. It was easily a highlight of the trip due to the sheer magnitude of the art and architecture, but
Brett says: “There once was a guy from Soho Who wrote a book long forgotten, oh no A bunch of young wannabes Invite him into their coterie But is acting your age more important than FOMO? “Director Kent Jones brings
Brett says: “SCHOOL FOR DEFECTORS is an insightful look into a single school in particular that is one of multiple schools in South Korea set up for transitioning children who have defected from North Korea. The result is a collection
Peter says: “I just recently finished teaching Fahrenheit 451, and unfortunately, this documentary is proof that Bradbury’s warnings are as relevant as ever. “In 2023, Florida Governor Ron DeSantis took over the ultra-liberal New College in Sarasota. It’s the sort
Peter says: “I had the interesting experience of seeing The Last Critic – a documentary about legendary music critic Robert Christgau – seated amongst a crowd of film critics in the audience! “Christgau, over many decades, seemed to perfect the
Peter says: “Never did I realize just how equalizing the telephone is for blind people. It’s true: we’re all ‘blind’ on the phone. It’s for that reason that Joe Engressia, aka ‘Joybubbles,’ became an obsessed ‘phone phreak’ – using the
Brett says: “AS I AM is a well-meaning narrative feature from director/writer Pourya Azerbayjani Dow in which a former solider in the Iran-Iraq War seeks to rekindle a flame from forty years in the past, with emphasis on the word
Peter says: “I’m not sure if other countries experience anything similar, but Girl Scout Cookies are a BIG DEAL in America. Hordes of wee little girls station themselves outside of grocery stores and local businesses, selling boxes upon boxes of
Brett says: “I LOVE BOOSTERS, the latest from Boots Riley, brings many of the same stylings as his earlier film SORRY TO BOTHER YOU in that the audience is eased into what is clearly a satire in the first act