Michael says: “Someone was describing this exquisitely beautiful film as more than just about birds in Delhi, and while I do think the film masterfully incorporates the crumbling world climate, the baffling ecosystem of the city in question, and just
Michael says: “A coming-of-age story simmering with sexual tension on an island in the Adriatic sea is the backdrop for this feature-length directorial debut by Antoneta Alamat Kusijanovic. The film opens with some great footage of teenaged Julia spear-fishing with
Michael says: “While not quite as accomplished as THE VAST OF NIGHT, this nostalgia-focused thriller set in 1963 hits some similar marks, and surprised me at its cleverness and strong writing, after a slightly awkward start. The budget is clearly
Chris says: “BOYHOOD condensed to ninety minutes but with four different actors instead of one (because it wasn’t shot over a dozen years.) A sort of autobiography relayed in carefully chosen fragments with plainspoken-verging-on-stilted third-person narration filling in the gaps.
Michael says: “Coming-of-age films are a dime a dozen, but what makes a film in this genre successful is when the experience is tackled with honesty and relatability, something Mei Making does quite weak in INBETWEEN GIRL. Asian-American Angie is
Diane says: “Another doc by a filmmaker who is compelled to shoot almost every moment of their life. Shlomi Elkabetz, brother of acclaimed Israeli actress/director Ronit Elkabetz, combines scenes from everyday life, from their film GETT, and from the making of
Diane says: “Do you remember the New Zealand volcano eruption in 2018? The volcano island was a tourist attraction and 40 people were unwittingly visiting when it erupted violently, resulting in many casualties. The doc’s title is the worst thing
Diane says: “Director Rodrigo Reyes uses some unorthodox methods in this doc, about a young Mexican man in California, Sansón, who is in prison without parole. Reyes, as part of his day job, served as Sansón’s court interpreter years ago.