Chris says: “Shot by Yutaka Yamazaki, who has served as cinematographer on Hirokazu Kore-eda films from AFTER LIFE to AFTER THE STORM, this second feature from director Kei Chika-ura is often Kore-eda Lite, although what’s missing is the supple touch
Michael says: “After making a dozen or more short films, writer/director Ali Kalthami has made his first feature film, where desperation meets opportunity, embodied by a man who spends long hours in his car, delivering a variety of products after
Michael says: “Still reeling from her mother’s death, and finding herself in a stagnant marriage, Judith, a Japanese-Canadian woman takes her family to a couples’ therapy retreat. There her two daughters explore the Pacific coast while their parents work on
Chris says: “Chris Wilcha, who worked as a producer on the TV version of THIS AMERICAN LIFE has numerous unfinished projects scattered throughout his career. This documentary, ostensibly about the still-hanging-on, small-town New Jersey record store he worked in as
Chris says: “When Elliot Page announced his transition, I was curious as to how this might change his acting career; his first major film role since then does suggest a new phase, returning to the small-scale, nuanced indie dramas that showcased his
Chris says: “Simon (Théodore Pellerin), a talented young performer in Montreal’s close-knit drag community is immediately smitten by Oliver (Félix Maritaud), a fellow drag queen freshly transplanted from France. They pursue a whirlwind romance while also collaborating together onstage, although their
Michael says: “It’s not an international film festival without a moody, introspective Icelandic film, and Pálmadóttir’s debut feature, SOLITUDE fits the bill beautiful, but as is often the case, such as in 2019’s riveting tale of grief, A WHITE, WHITE DAY,
Chris says: “Sifting through and reminiscing about one’s own past is easy; contextualizing these memories and enabling them to resonate with an audience is trickier, as one has likely experienced in many an autobiographical narrative or essay film (Chris Marker
Chris says: “Luke (Ben Hardy), a working-class straight bloke from Essex unwittingly wanders into a London gay club and falls hard for Aysha (Jason Patel), a drag queen, making out with him before he realizes he’s not kissing a woman.
Chris says: “If Alexander Payne’s last film, 2017’s sci-fi allegory DOWNSIZING was a big swing and a miss, his latest plays it much safer for the benefit of everyone involved. A return to smart, dyspeptic comedy, THE HOLDOVERS also reunites