Michael says: ” NON-FICTION is the latest film by Olivier Assayas, starring the ubiquitous, yet always reliable Juliette Binoche; a talky, smart, amusing story of a publisher, an author and their wives set in the changing world of publishing. Much
Thom says: “French director Olivier Assayas has been something of an in-and-outer director for me but his best films are indeed world class brilliant. I loved CLEAN (2004), SUMMER HOURS (2008), CLOUDS OF SILS MARIA (2014), & especially DEMONLOVER, my
Brett says: “It is evident by the first quarter of the film that CLOUDS OF SILS MARIA is intended for a specific audience. That fact becomes even more evident as the nowhere loops of dialogue progress (or rather, stand still)
Thom says: “I was to learn before the screening that Assayas had won the best script at the Venice Film Festival. If truly that is the case I’d hate to know what the other choices were as this autobiographical film
Bruce says: “This film began as a commission from the Musée d’Orsay and then evolved into a different animal from what had originally been envisioned. By the time the film was made the relationship with the d’Orsay evaporated. Hard-core Assayas
Bruce says: “Twenty two directors join together for twenty short stories about love, each set in a different arrondissmont in Paris. The directors approach love from different angles. Some are dead serious, some bittersweet and others, quite amusing. By the
Michael says: “In CLEAN, Olivier Assayas (DEMONLOVER) reunites with his IRMA VEP star (and ex-wife) Maggie Cheung, to paint a portrait of a young woman trying to kick a drug addiction, and find her place in the world. When Lee,