Chris says: “Historical melodrama that takes a while to get where it’s going, although it eventually arrives (e.g. the stowaway sequence) and then unpredictably goes a little batshit after that. Docked at least half a star for how clumsily it
Michael says: “Yoko is the host of a popular travel show produced in Japan. While filming at various cultural landmarks in Uzbekistan, we see Yoko shooting hip deep in a lake supposedly filled with large, mysterious fish, repeatedly riding a
Jason says: “SEVENTH CODE is the sort of movie that can easily get lost in a career like Kiyoshi Kurosawa’s: It’s a short thing produced alongside two large projects that sure looks like a promotional tool for its pop-star lead
Jason says: “There have been many sequences in movies where someone loses his or her job, but few have been so callously cruel as the one that opens TOKYO SONATA: A pretty girl walks through an office, drawing all eyes.
Bruce says: “RETRIBUTION is a thought-provoking mixed genre film – . part police procedural, part horror, part thriller – which is a bit of a muddle. The acting, editing, set design and cinematography are all outstanding so there is much
Diane says: “Can’t say I really liked BRIGHT FUTURE (Kiyoshi Kurosawa, director), a coolly presented surrealist story of two disaffected youth whose family ties are broken–to say nothing of the jellyfish. The gang of purposeful-seeming yet directionless kids in the