Diane says: “I guess I was mistaken that AMERICAN FACTORY was eligible, but anyway… This documentary played me like a pinball. It brought out my prejudices, made me question my values, and gave me a lot of angst. Directors Bognar
Thom says: “Expect these further lapses as age rears its ugly head, but I was perusing new offerings on Prime Video and ran across THE YOUNG & THE DAMNED. From the 1950 date I recognized it to be from Bunuel’s
Thom says: “This film was so over-the-top in so many delicious ways and it was totally unexpected. It’s currently unavailable on NetFlix but I came across it at my DVD store and since I’ve had such great luck in the
Thom says: “LITTLE WOMEN has been somewhat of a Hollywood staple over the years with adaptations of the Louisa May Alcott classic coming out in 1918, 1933, 1949, 1994, & 2018, not to mention the innumerable television versions. I’ve seen
Thom says: “Maybe it was my effusive mood but this pure professional comedy romance entranced me. While not a gigantic fan of neither Cary Grant nor Katherine Hepburn they click together with such an authentic force (BRINGING UP BABY, THE
Thom says: “After having found FATHER & SON so provocative I decided to delve further into the Sokurov cannon. Hopefully this film will be a great companion piece to DOWNFALL, which I hope to see in the next two weeks.
Hilary says: “I encourage the local membership to go see DONKEY SKIN (Peau d’âne) at the Brattle this week — it’s a trippy good time! “Stylistically, Jacques Demy’s adaptation of a 17th-century fairy tale is somewhere between CAMELOT and WILLY WONKA
Rob says: “Children’s show host and bastion of goodness Fred Rogers, the Presbyterian minister who became an American institution, is the subject of this wonderfully thorough and thoroughly wonderful tribute, made shortly after his death in February 2003. Hosted by
Thom says: “I had rather high expecta tions for this film, but still was thrilled at how much I enjoyed it. Director Ganatra has had lots of television experience, but previously her features were lackluster. But a great (if cookie-cutter)
Thom says: “Director Marnier has made only one previous unseen feature FAULTLESS (2016) so I had no idea what to expect here & I was enthralled with this dark surprise. The film largely takes place within the confines of a