Bruce says: “In my opinion, there is no director making more visually stunning films than Tsai Ming-liang. I DON’T WANT TO SLEEP ALONE is a smashing example of a true master at work . Invariably, each scene in his new
Michael says: “I’ve been looking forward to seeing PROTAGONIST since I read about it a couple of months before it played at the Independent Film Festival of Boston last April. Unfortunately I missed it at the IFFB, but I got
Michael says: “What can be better than Japanese school girls in uniform with electric guitars? For sheer, unabashed enjoyment, you can’t get much better than LINDA LINDA LINDA. As the school fair approaches, a teen-aged all-girl band fears it will
Chris says: ” Like most of you, I know Charles Nelson Reilly from his 1970s appearances on THE ‘Match Game:’ permanently seated on the panel’s upper right-hand corner next to his foil, Brett Sommers, he was that decade’s Paul Lynde,
Bruce says: “Clint Eastwood has proven himself a gifted filmmaker over the years but there is nothing in his portfolio indicating he would create one of the best war films in the history of cinema. The Hollywood hype machine declared
Michael says: “To think this is the second film that I have seen in four years that prominently features a Real Doll (the first being the low-budget, creepy horror flick, LOVE OBJECT.) LARS AND THE REAL GIRL is a whimsical
TC says: “FIERCE PEOPLEhas taken a long, roundabout road to the big screen. Filmed in 2004, and having premiered at the 2005 Tribeca Film Festival in New York, it has been this close to release several times since then, only
Michael says: “At certain points throughout FAY GRIM, the latest film by Chlotrudis Award winner Hal Hartley, particularly as the screen went black and the credits began to roll, a little thrill of excitement skittered down my spine. It’s the
Bruce says: “Julian Schnabel suspects that Jean-Dominique Bauby (Mathieu Amalric) was superficial and arrogant, not a particularly likeable man, before he suffered the fatal stroke that turned him into a sensitive, reflecting human being. Bauby was editor of Elle magazine
Bruce says: “Algeria, 1943. Men are marching through the streets urging others to join them in saving France from Nazi Germany. ‘We must liberate France, Mother,’ exclaims Saïd (Jamel Debbouze). ‘I prefer poverty to losing you,’ his mother replies. DAYS