Jason says: “Documentaries about artists and art are frequently disappointing. Filmmakers try their best, but as artists themselves they can make intuitive leaps between their subject and his or her work that is not obvious to a general audience, who
Jason says: “MAKE-OUT WITH VIOLENCE isn’t quite so good as LET THE RIGHT ONE IN, but that’s the film it brings to my mind. Both take horror-movie tropes and twist them into service of a strange story of young love,
Jason says: “When I mentioned to a friend that I was planning a trip to New York to see a new movie inspired by the early life of Louis Armstrong, I asked him to guess what sort of movie it
Bruce says: “Ever since I first saw THE MASSEUR, a rough but auspicious directorial debut, I’ve been a huge Brillante Mendoza fan. This prolific director, a winner of the 2009 director’s award at Cannes for his prior film – the sensation stirring
Michael says: “Hats off to Philip Seymour Hoffman! Not only is his directorial debut a warm, funny, brilliantly acted, gorgeously written romance, it’s also the most adept depiction of the internal lives of people I’ve seen on screen. It’s a
Thom says: “There wasn’t any reason to suppose that this wouldn’t be a great film but since this was Epstein & Friedman’s first dramatic film (although based on recorded events) I only plunged in because they have made quite a
Bruce says: “In 1983 Bette Gordon was an underground artist who decided she could make as good a film as the next guy (let’s face it, there were few female filmmakers in 1983.) The result was the stunning VARIETY which
Bruce says: “Who would have guessed that the two stars of the 2001 film L.I.E., one a Scotsman and the other an American teenager, would end up eight years later working together in Iceland? Although Paul Dano (2008 Chlotrudis Award
Jason says: “A few years ago, I saw a movie called A BITTERSWEET LIFE AT FANTASIA and loved it, saying it was the sort of action movie John Woo and Chow Yun-fat used to make before they came to Hollywood
TC says: “I can’t describe what an amazing, powerful movie this is. The film focuses on four reels of film shot in 1942 in the Warsaw ghetto by Nazi filmmakers who were making a propaganda film. But for some reason,