Bruce says: “NOCTURNAL ANIMALS brings as layered and complex a narrative as anyone will find this year, combined with an unapologetic visual style that accents every complex fold of the plot. Added to the vision of Tom Ford as it
Lorraine says: “NO GREATER LOVE is ending a festival run but will be making a theatrical run and I want to put it on your radar. “It played in the Beaufort Film Festival. I missed the screening but met the
Thom says: “Alex de la Iglesia is such a fun director that I think about him all the time. For some 23 years now he has consistently gone the extra mile to make extravagant rich entertainments that are delightfully complex
Kyle says: “MOUNTAINS MAY DEPART is only the eighth feature film by iconoclastic virtually legendary Chinese director Jia Zhangke. According to his own words during a New York Film Festival Q & A last fall, he had thought about not
Michael says: “I sure hope you got to see this when it had its very successful run earlier this year in the theaters. Greek director Yorgos Lathimos (DOGTOOTH; ALPS) brings us his first English-language film, a hilarious, dark, and pointed
Jason says: “What one often reads about Unmanned Aerial Vehicle strikes may lead such a person to believe that the way concern about collateral damage drives EYE IN THE SKY marks it as a fantasy, as does the stark, immediate
Lorraine says: “In January 1914, a horrible murder shook up the city of Budapest. One of the most high-profile courtesans in town, Elza Mágnás, was strangled and her body was thrown into the icy water of the Danube. DEMIMONDE chronicles
Bruce says: “Having written the screenplays for RUST AND BONE, DHEEPAN, and SAINT LAURENT Thomas Bidegain is no outsider dabbling in film. He directs his first film with the hand of a master. The acting, editing, cinematography and use of
Bruce says: “Although I have not yet seen SPOTLIGHT, I’m sure there is a comparison to be made. Both films deal with priests and abuse cover-ups. Pablo Larrain (TONY MANERO, NO) takes us to a house in a remote Chilean
Michael says: “I haven’t seen all of Kelly Reichardt’s films, but CERTAIN WOMEN is the fourth, and the most fully realized in a string of strong films including OLD JOY, WENDY & LUCY, and MEEKS’ CUTOFF. Based on a collection