Phred says: “Occasionally when you leave a movie theater, you get a feeling of tremendous satisfaction. That’s the case for me with XX/XY. “The film opens with a young man running into the same beautiful girl twice, the second time
Michael says: “How can you not love a film that’s a bizarre melding of Hello Kitty, YELLOW SUBMARINE, ‘Betty Boop,’ and an indictment against consumerism and religion all at the same time? TAMALA 2010 : A PUNK CAT IN OUTER
Bob G. says: “30 minutes into SWIMMING POOL you find yourself unavoidably engaged, much to your chagrin, given the lack of physical screen action. There’s not a lot going on here, at least on the surface, but Charlotte Rampling and
Michael says: “British filmmaker Ken Loach released two films in 2003, both woefully underseen. I hope to catch up with THE NAVIGATORS later this weekend, but I caught his more recent film SWEET SIXTEEN, on DVD this morning. “Loach’s usual
Michael says: “2003’s string of outstanding documentaries continues with Mark Moskowitz’s powerful rumination on literature and its effect on our lives. In the early 70’s Moskowitz read a review in the NYT Book Review of Dow Mossman’s first novel, The
Emily and Greg say: “We saw this at a midnight screening in Toronto, and it was probably the best celebrity studded night. All the stars of the film came out – Mickey Rourke, looking like a plastic rebel-rocker in black
Esmé says: “This was great and who saw it? I thought Fiennes was great, and so was the directing. Lots of cats. (A man is released from the asylum and returns to his old neighborhood where he tries to make
Michael says: “So where was everyone this evening when they should have been catching this remarkable little film? RAISING VICTOR VARGAS is a sweet, and realistic tale of adolescent relationships, a little coming-of-age, and a strong family tale set in
Bruce says: “In OWNING MAHOWNY, Dan Mahowny (Philip Seymour Hoffman) has just been promoted to Assistant Manager of a large Toronto bank when the loan sharks descend upon him. He has to come up with some money fast. Dan is
Laura says: “Director Fernando León de Aranda’s (who also cowrote with Ignacio del Moral) film won the Golden Seashell at the 2002 San Sebastian film festival, scooped up a bunch of Goyas (Spanish Academy Awards) and, mostly notably, was chosen