Georgette says: “Well, Cedric Klapisch has another winner with L’AUBERGE ESPAGNOLE. With the same charm and good-natured fun as in his delightful WHEN THE CAT’S AWAY again we meet a cast of true characters, and the city is definitely one
Kevin says: “From Jim Sheridan, the director of IN THE NAME OF THE FATHER and MY LEFT FOOT, comes IN AMERICA, certainly one of the best films of 2003. “The film concerns a family, consisting of Johnny (Patty Considine), his
Bob says: “I thought it had a lot of style, and that it had clearly been influenced by Besson and the folks behind THE MATRIX (who were in turn influenced by just about everybody in Hong Kong). However, I also
Michael says: “The story unfolds ever so slowly, and the pace doesn’t change throughout the nearly 2-hour running time, but is punctuated by sudden scenes of bizarre hilarity. WHAT TIME IS IT THERE? follows the lives of three people who
Michael says: “A group of us saw Pedro Almodovar’s sublime TALK TO HER last night. That Spanish director’s eye for creating exquisite visual portraits using the language of film just keeps growing. Each scene is so carefully crafted, and his
Laura says: “This documentary about the legendary Funk Brothers, who were the studio musicians for all of Motown’s Detroit era hits, was the one I expected to topple GIGANTIC off the top of my doc list, but it didn’t quite
Michael says: “I wanted to just say a few words about Sarah’s short film, I SHOUT LOVE. I felt it was quite an accomplished, entertaining, and effective effort from a novice director. Sarah did a terrific job merging the very
Laura says: “Ad exec Roger (Campbell Scott) delights his coworkers and boss and secret lover Joyce (Isabella Rossellini) with his witty rationale on why women will take over the world during a boozy bistro session, but a later visit to
Michael says: “Zhang, whose last film was the family, feel-good film SHOWER, tackles a difficult subject with creativity and insight in QUITTING. Focusing on a troubled young man struggling with drug addiction and the sweeping changes occurring in contemporary China,
Laura says: “Gere is good as the grieving widower intent on discovering what his link is to the shadowy things which his wife experienced. He may be onto a startling journalistic piece or he may be losing his mind. He