Chris says: “PLOY, the latest from Pen-Ek Ratanaruang, initially seems worlds away from LAST LIFE IN THE UNIVERSE: it follows a couple checking into Bangkok hotel and is all rendered in washed out earth tones and barely audible ambient music
Bruce says: “This film is a rarity because it features a central character that is not particularly likeable yet his story is funny and illustrative of a major problem facing communities worldwide – what to do with the aged. “Lucien
Jason says: “The late 1960s were a tumultuous time in Korea’s history (but what part of the 20th Century wasn’t?). That’s a non factor through much of ONCE IN A SUMMER, which is a likable if kind of lightweight romance…
Bruce says: “Curious how such a film could become a critic’s darling. Using two non-professional actors John Carney tells a story about songwriters who meet on the streets of Dublin and connect in more ways than one. Or do they?
Bruce says: “**Spoilers** “Nathalie Baye is billed as ‘cast against type’ in MY SON. One wonders who might have been the right type for the psychotic nightmare of a mother, other than Isabelle Huppert, of course. Ms. Baye proves that
Bruce says: “MAXED OUT is the first film I’ve been able to see at the Chlotrudis sponsored Sunday Eye Opener series at the Brattle Theater. MAXED OUT is not the film I had thought it would be. Judging by its
Bruce says: “This documentary film is an excellent primer for understanding issues of Cubans exiles, particularly those in South Florida. The title refers to the subject of the film Max Lesnik, a former resident of Havana, Cuba, and now a
Jason says: “As Yôji Yamada’s samurai dramas have become bigger and bigger hits in their native Japan, their American distribution has shrank. This is a real shame, because all three (THE TWILIGHT SAMURAI, THE HIDDEN BLADE, and now LOVE AND
Bruce says: “A LITTLE KISS is a poignant essay on aging, friendship, death and dying. Kamal (Jamshid Hashempur) is Iran’s most famous writer. He has a short time left to live and is cared for lovingly by his grandson. His
Bruce says: “Director Jan Schütte has combined three short stories by Isasac Bashevis Singer – ‘Alone,’ ‘The Briefcase,’ and ‘Old Love,’ – into a clever, intelligent screenplay weaving the active imagination of a writer of fiction into the narrative line