Chris says: “North Adams, a depressed former mill town in far Northwestern Massachusetts is as unlikely a place for a contemporary art museum as one could imagine; MUSEUM TOWN is an in-depth study of how MassMOCA came to inhabit former
Chris says: “A genuinely inspiring story on its own, MAIDEN is further enhanced by its subject, Tracy Edwards, whom through considerable determination, chutzpah and luck managed to conceive of and lead the first all-female team to participate in the Whitbread
Chris says: “From the writer of LET THE RIGHT ONE IN, a contemporary fable about Tina (Eva Melander), a somewhat dumpy middle-aged guard for the Swedish border patrol who is excellent in her job, mostly due to her intense, visceral, almost superhuman
Jeffrey says: “A tidy, well-wrought, low-budget thriller, with some of the spirit of both LET THE RIGHT ONE IN and ANIMAL KINGDOM, it earns its thrills the hard way, by slowly building tension to nearly intolerable levels, rather than spilling
Michael says: “Laurent Cantet (THE CLASS)has constructed a fascinating film exploring the desire to kill, racism, and class in THE WORKSHOP. Centered around a racially mixed group of blue-collar students in a summer writing class led by an upper-class, middle-aged,
Michael says: “THE INTERVENTION also has a summary that might give you pause.Ruby and Peter join three other couples on a holiday weekend at a beautiful family home in the bayou, but discover that their friend Annie has engineered the
Thom says: “My friends all know I love horror films even though a high percentage of them are atrocious. This was supposed to be a one-off on my recent trip to New York but despite the GROUNDHOG DAY rip-off HAPPY
Michael says: “There’s some major symbolism going on in the Lebanese film,MARTYR by Mazen Khaled, possibly about the state of Beirut, where the film takes place, but the gorgeous shots of water, and actor Hamza Mekdad’s nude body lean more
Diane says: “Caught this Sundance winner doc at a small theater today. The central figure is a friend of director Dan Sickles’ (co-director is Antonio Santini; their first was MALA MALA). We land in the middle of the lives of
Chris says: “Not as sharp a political allegory as LEVIATHAN, nor does it possess that film’s necessary gallows humor (which might’ve been out of place here, anyway.) However, Andrey Zvyagintsev (whose greatest film remains his first, THE RETURN remains a