Brett says: “TONI ERDMANN is a comedic drama containing a premise that might seem similar to a large number of films, but this is a film that relies on a subtle characterization and timely humor as its backbone, opposed to
Thom says: “I was totally amazed at my appreciation for this film especially because it was for all the wrong reasons, at least as my expectations went. I picked this up due to the presence of Annette Bening, the lovely
Jason says: “William Monahan’s new film is right on the line between the crime movies where the filmmakers are aware of the genre’s tropes and can therefore share a wink as it uses or avoids them and the movies which
Bruce says: “Joachim Trier ventures into English-speaking territory with a story of a family grieving for a wife/mother. Grieving, contrary to those who believe in absolutes, has ambivalent dimensions. The acting, directing and production values are way above par; however
Thom says: “LA LA LAND is a pleasant film that will probably be ever remembered as the movie that won a Best Film Oscar only to be announced seconds later that it hadn’t received the prize statuette, but rather the
Jason says: “Like a lot of movies where the filmmakers want to both celebrate family and build a story about what kind of stresses it can place on people, KAPOOR AND SONS can swing from one to the other fast
Bruce says: “Hany Abu-hassad would seem an unlikely director of a biopic. His earlier films, RANA’S WEDDING, PARADISE NOW, and OMAR have documented the effects of Israeli enforced apartheid on the Palestinian community. While THE IDOL has many of those
Michael says: “Just watched a pretty accomplished film called THE FAMILY FANG, starring Nicole Kidman and Jason Bateman, directed by Bateman. This offbeat tale looks at the Fang family, led by a pair of performance artists who put their two
Jason says: “The shots of present-day ruins that open EMBERS are a reminder of sorts that worlds end all the time, on the scale of individual hopes and dreams, though those tiny apocalypses are often part of a greater calamity.
Jason says: “DETECTIVE CHINATOWN inevitably runs head-on into the biggest problem screwball mysteries face – it is extremely difficult to take both your slapstick comedy and murder investigation seriously in the same story – but manages to be impressively entertaining