Thom says: “My friends all know I love horror films even though a high percentage of them are atrocious. This was supposed to be a one-off on my recent trip to New York but despite the GROUNDHOG DAY rip-off HAPPY
Michael says: “There’s some major symbolism going on in the Lebanese film,MARTYR by Mazen Khaled, possibly about the state of Beirut, where the film takes place, but the gorgeous shots of water, and actor Hamza Mekdad’s nude body lean more
Diane says: “Caught this Sundance winner doc at a small theater today. The central figure is a friend of director Dan Sickles’ (co-director is Antonio Santini; their first was MALA MALA). We land in the middle of the lives of
Chris says: “Not as sharp a political allegory as LEVIATHAN, nor does it possess that film’s necessary gallows humor (which might’ve been out of place here, anyway.) However, Andrey Zvyagintsev (whose greatest film remains his first, THE RETURN remains a
Chris says: “Although far less prolific, I’d like to think of Debra Granik as the American Mike Leigh for her depiction (consideration, even) of the working-class without condescending to them. Not as seminal or all-out engrossing as WINTER’SBONE, but teenager
Chris says: “Pretty consistent for what amounts to six separate stories only related by genre (in this case, the Western); also solid for a Coen Brothers film, given how scattershot the last one was. Not as fully realized as NO
Michael says: “Sure it’s got some flaws, but this darkly hilarious romp from TIMEFRAMES director Nacho Vigalondo and star Anne Hathaway was a rollicking good time. After an intriguing prologue featuring a young Korean girl, her mother, and a giant, Godzilla-like kaiju,
Michael says: “Tonight’s fascinating film is called BOKEH, an Icelandic indie that takes gorgeous advantage of that island-countries primordial, pastoral landscapes and otherworldly qualities. A young couple, Riley and Jenai, who are on holiday from the States are enjoying a fun
Jason says: “Michael Moore is likely the world’s best-known documentary filmmaker, and that is an obvious double-edged sword; while his first new film in years will certainly bring in one group of fans, the very fact that it’s from him
Jason says: “Even the titles of Corneliu Porumboiu’s best-known recent films – 12;08 EAST OF BUCHAREST and POLICE, ADJECTIVE – are focused on a sort of precision that can sometimes be maddening and THE TREASURE, (‘Comoara’ in the original Romanian)