Chris says: “Not as sharp a political allegory as LEVIATHAN, nor does it possess that film’s necessary gallows humor (which might’ve been out of place here, anyway.) However, Andrey Zvyagintsev (whose greatest film remains his first, THE RETURN remains a
Chris says: “Although far less prolific, I’d like to think of Debra Granik as the American Mike Leigh for her depiction (consideration, even) of the working-class without condescending to them. Not as seminal or all-out engrossing as WINTER’SBONE, but teenager
Chris says: “Pretty consistent for what amounts to six separate stories only related by genre (in this case, the Western); also solid for a Coen Brothers film, given how scattershot the last one was. Not as fully realized as NO
Michael says: “Sure it’s got some flaws, but this darkly hilarious romp from TIMEFRAMES director Nacho Vigalondo and star Anne Hathaway was a rollicking good time. After an intriguing prologue featuring a young Korean girl, her mother, and a giant, Godzilla-like kaiju,
Michael says: “Tonight’s fascinating film is called BOKEH, an Icelandic indie that takes gorgeous advantage of that island-countries primordial, pastoral landscapes and otherworldly qualities. A young couple, Riley and Jenai, who are on holiday from the States are enjoying a fun
Jason says: “Michael Moore is likely the world’s best-known documentary filmmaker, and that is an obvious double-edged sword; while his first new film in years will certainly bring in one group of fans, the very fact that it’s from him
Jason says: “Even the titles of Corneliu Porumboiu’s best-known recent films – 12;08 EAST OF BUCHAREST and POLICE, ADJECTIVE – are focused on a sort of precision that can sometimes be maddening and THE TREASURE, (‘Comoara’ in the original Romanian)
Brett says: “TONI ERDMANN is a comedic drama containing a premise that might seem similar to a large number of films, but this is a film that relies on a subtle characterization and timely humor as its backbone, opposed to
Thom says: “I was totally amazed at my appreciation for this film especially because it was for all the wrong reasons, at least as my expectations went. I picked this up due to the presence of Annette Bening, the lovely
Jason says: “William Monahan’s new film is right on the line between the crime movies where the filmmakers are aware of the genre’s tropes and can therefore share a wink as it uses or avoids them and the movies which