Diane says: “A tale loosely based on Little Red Riding Hood, with subtle reminders of its fairytale origins in the bells and banjo of the score. I loved that, for maybe the first third, I was completely in the dark
Brett says: “Real-life-based horror doesn’t always need to check the box of the horror genre to send a chill down one’s spine. Sometimes, it’s the weight of memory, trauma, and belief that proves more unsettling. ABIGAIL BEFORE BEATRICE is such
Michael says: “My brief Letterboxd review states: “Highly personal intergenerational queer story that is intimate and moving. Some really nice touches.” That pretty much sums it up, but I’ll go a little further here. First, I hadn’t realized going in that
Michael says: “Who knew that the changing political climate of the last several years would fid librarians on the front lines of the battle for intellectual freedom? I guess librarians did, but not to the extent that many school and
Diane says: “Albert Serra’s 2025 documentary AFTERNOONS OF SOLITUDE didn’t make our noms, but I was still very eager to see it. It was #6 on New Yorker critic Richard Brody’s top movies for last year. “In saturated color and
Diane says: :Former New Zealand Prime Minister Jacinda Ardern is on a book tour for her memoir -and- is hitting movie screens in a just-released doc. Much of PRIME MINISTER’s footage was shot by her partner Clarke, who couldn’t keep
Jeff says: “Alex Clark (Kai Lennox) is a formerly renowned documentary photographer. He produced, long ago, a handsome coffee table book featuring stark, black and white portraits of derelict military bases, abandoned subdivisions, crumbling warehouses, and seedy motels set amid
Michael says: “Low-key and understated, but writer/director Constance Tsang’s debut feature, packs a strong emotional punch. The film features a lengthy prologue that leads you to believe that one character is the lead, then switches after a surprising turn of
Diane says: “This Belgian film, a very quiet counterpart to 2020’s SLALOM, is about an athlete pushed hard by a coach where boundaries may not be respected. Julie (Tessa Van den Broeck) is an exceptional tennis player, on scholarship at
Chris says: “Almost a tone poem in its slower-than-Tsai Ming-liang pace, it’s often as if viewing a familiar world through foreign eyes with its arresting but rarely “pretty” imagery. Requires a second watch but one I’ll be eager to make.