Diane says: “MINARI is a gentle family drama, an autobiographical work by Korean-American director Lee Isaac Chung. Mother (Yeri Han) and father (Steven Yuen, also producer) are a loving couple divided by the conflicting drivers of dreams and practicality. The
Diane says: “Just saw MISHA AND THE WOLVES at Sundance. The director calls it ‘historical documentary that becomes psychological thriller.’ Misha Defonseca published a book in the late 1990s, and lived off the pursuant fame, about her childhood experience in
Chris says: “As with the Fred Rogers doc WON’T YOU BE MY NEIGHBOR, it’s near-impossible for me to be critical of one about SESAME STREET, another program I watched religiously when I was very young. Just its opening credits montage of
Michael says: “There’s something about a mother that stirs up emotions. A mother fighting for her child is a force to be reckoned with. In TRUE MOTHERS, Japanese director Naomi Kawase gently and thoughtfully explores the conflict between two women and
Michael says: “Anyone who was an adult in the early 90’s remembers the story of Nancy Kerrigan and Tonya Harding, but who knows the real story? I was an avid figure skating viewer during those years, and was quite familiar
Michael says: “I caught up with one of Bruce’s favorite film festivals virtually this year, as Lincoln Center presented New Directors/New Films. Here is the first of several films I managed to watch. “The Galacian coast featured in RED MOON
Chris says: “No denying that the late Harry Dean Stanton was a rare breed of actor or that few nonagenarians are as deserving of an end-of-life vehicle than him. And this is full of unforgettable images and moments, from Stanton’s around-the-house
Philip says: “Aaron Sorkin’s (The West Wing) THE TRIAL OF THE CHICAGO 7 fictionalizes the ‘1969 trial of seven defendants charged by the federal government with conspiracy and more, arising from the countercultural protests in Chicago at the 1968 Democratic
Part of the Small Axe Amazon Prime series. Michael says: “Steve McQueen makes a fairly notable change in the fifth film of his SMALL AXE series, focusing on a 12-year-old boy, and surrounding him largely with women. The shift in
Chris says: “Can’t remember the last film (or documentary, no less) where I gasped or whispered ‘wow…’ out loud so many times. This alarming level of corruption took place in Romania, but it could also all too easily happen here
