Michael says: “In the tradition of a creepy, slow burn horror/thriller, FALSE POSITIVE successfully balances the dark tone with a lighter b-horror tone to tell a story of genetics and the patriarchy out of control. What starts off as bit
Michael says: “This gentle story about a Syrian refugee family who find refuge and success in Nova Scotia is based on a true story, and reminiscent thematically of the Broadway music, Come from Away. After the bombing of the family
Michael says: “In SOUAD, writer/director Ayten Amin examines the inherent dichotomy of conservative religion and social media. The film centers on a pair of sister, Souad and Rabab living in a small city north of Cairo, in a two-act structure
Michael says: “Essie Davis is on a roll with portrayals of fierce but flawed mothers protecting their children. She made a big impression in THE BABADOOK, then followed that up with BABYTEETH. Now she tops THE JUSTICE OF BUNNY KING,
Jeff says: “This was a hoot, with the always reliable Mads Mikkelson playing a former military man babysitting a mathematician and his two geek friends as they map out the plot that murdered his wife and take on the gang
Chris says: “As Masao (Steve Iwamoto) nears the end of his life on the coast of Hawai’i, he’s visited by the ghost of his wife, Grace (Constance Wu), who died at a young age. Flashbacks to their courtship and marriage
Chris says: “In her promising debut feature, writer/director Nicole Reigel depicts life in a small industrial Ohio town in a way that isn’t quite documentary-like, but with enough attention-to-detail to feel pretty authentic. As Ruth, a teen from a broken
Michael says: “Belmont World Film Festival did a great job assembling their virtual film festival this year. They screened several high profile international films, and did so for a full week, running from March through April. Gave plenty of opportunities
Michael says: “Belmost World Film Festival had a really strong line-up of international films this year, screening each one virtually for a week through April and into May. I caught THE DAZZLED, French actress Sarah Suco directed this semi-autobiographical film about
Michael says: “The first film by Farhadi that I saw was the riveting A SEPARATION, released in US in 2012, which I didn’t realize was his first film until quite a bit later. His follow-up film, the nearly as riveting