Michael says: “With the expected smart and rapid dialog from playwright Neil Simon, THE OUT-OF-TOWNERS is a lively, dark comedy about a suburban couple from Ohio who travel to New York City in the hopes of landing a big job
Michael says: “Sharrock is the Scottish director who recently scored big with Chlotrudis viewers for his second film, LIMBO. PIKADERO is his debut film released in 2015. It revolves around a young couple living in the Basque Country of Spain
Brett says: “As fan of the underexposed and underrated anthology spookfest SOUTHBOUND, it was a no-brainer to take a seat at director David Bruckner’s latest film THE NIGHT HOUSE, especially with the notion of a major motion picture studio backing
Michael says: “I find Elaine May’s career rather fascinating, although I haven’t seen a lot of her work more of her writing, some of her acting, and little of her directing. I’m hoping to change that. A NEW LEAF, released
Michael says: “Released in 1978, COMA came from an era before thrillers had to be action movies. Set in Boston, a young resident, Dr. Susan Wheeler begins to suspect something strange is going on when a good friend lapses into
Brett says: “Some may find the concept esoteric, but the science fiction mind-screw NINE DAYS takes an approach that this viewer found unique to the genre: stacking an emotional and humanist card on top of the deck rather than letting
Michael says: “Big, dumb, super-hero action film? Check! Big-budget blockbuster written and directed by a couple of women, starring four kick-ass ladies as the costumed protagonists? What, what? Yeah, you got the right. Borrowing loosely from a DC Comic made famous by
Michael says: “I always had the impression that the 50s science fiction movies were cheesy and dumb, and not really worth the time to watch them. I’m glad I was wrong, and that I decided to check out THE DAY
Michael says: “I am a big fan of Turkish director Nuri Bilge Ceylan, despite the dense, sometimes inscrutable films he makes with running times sometimes well over three hours. His first film, DISTANT, plays like a sober, languid, dramatic version
Michael says: “Based on the Greek myth of Orpheus and Eurydice, ORPHEUS was the sixth of only eight narrative films that Jean Cocteau directed, the most famous of which, of course, is BEAUTY AND THE BEAST. Cocteau’s ORPHEUS revolves around