Bruce says: “There are many things to like about PINK. PINK is a meditation on personal history, love, loss and creativity. It unconventionally wanders between fantasy and reality. Using a clay model of Athens to tell his story director Voulgaris
Jason says: “In recent years, Persepolis has been sliding into the spot that Maus used to occupy: The socially-relevant graphic novel that makes inroads into the mainstream and is used as an example of how the medium is good for
Bruce says: “Twenty two directors join together for twenty short stories about love, each set in a different arrondissmont in Paris. The directors approach love from different angles. Some are dead serious, some bittersweet and others, quite amusing. By the
Jason says: “LUST, CAUTION is almost long enough to contain its own sequel, although more in the literary mode where an author revisits characters in a way that seems almost disconnected from the initial work. Ang Lee’s latest doesn’t quite
Chris says: “JUNO, Jason Reitman’s follow-up to the wildly popular THANK YOU FOR SMOKING, greatly benefits from a solid, honest, hilarious first screenplay from newcomer Diablo Cody, a exquisite comic turn from lead actor Elliot Page, and an affable supporting
Bruce says: “For his directorial debut (we won’t count his earlier short I KILLED MY LESBIAN WIFE, HUNG HER ON A MEAT HOOK, AND NOW I HAVE A THREE-PICTURE DEAL WITH DISNEY) Ben Affleck had the good sense to draw
Chris says: “Emanuele Crialese’s film puts a novel spin on the oft-told tale of Europeans immigrating to America in the early 20th Century: instead of fixating on a traveler’s first few proud, iconic moments in the new world, THE GOLDEN
Bruce says: “This lovely, haunting film is first rate independent fare – wonderful characters, an offbeat story, and an ending that is enigmatic. Ruza came to Switzerland from Yugoslavia thirty years ago and has determinedly set about to find a
Bruce says: “A few years back had Brian Steidle looked in the mirror he would have seen a U.S. Marine starring back, a military career man not far removed from the days when he was a college beer drinking champion.
Michael says: “With an outstanding cast and a handful of Independent Spirit Award nominations (including Best Director, Best Feature, and Best Supporting Actress), I would have thought that Karen MoNcrieff’s somber, powerful film, THE DEAD GIRL, would have had better