Jay says: “TEAM EVEREST means to inspire you. It exists for that. Even if Andy Cockrum hadn’t been along to make a movie, the expedition it chronicles was still put together in order to inspire disabled people, by showing that
Michael says: “On a recent trip to New York City, we caught THE SECRET LIFE OF WORDS, Isabel Coixet’s (MY LIFE WITHOUT ME) latest film, on opening day. Coixet alum Sarah Polley stars as Hanna, a young deaf woman who
Bruce says: “There are many things to like about PINK. PINK is a meditation on personal history, love, loss and creativity. It unconventionally wanders between fantasy and reality. Using a clay model of Athens to tell his story director Voulgaris
Jason says: “In recent years, Persepolis has been sliding into the spot that Maus used to occupy: The socially-relevant graphic novel that makes inroads into the mainstream and is used as an example of how the medium is good for
Bruce says: “Twenty two directors join together for twenty short stories about love, each set in a different arrondissmont in Paris. The directors approach love from different angles. Some are dead serious, some bittersweet and others, quite amusing. By the
Jason says: “LUST, CAUTION is almost long enough to contain its own sequel, although more in the literary mode where an author revisits characters in a way that seems almost disconnected from the initial work. Ang Lee’s latest doesn’t quite
Chris says: “JUNO, Jason Reitman’s follow-up to the wildly popular THANK YOU FOR SMOKING, greatly benefits from a solid, honest, hilarious first screenplay from newcomer Diablo Cody, a exquisite comic turn from lead actor Elliot Page, and an affable supporting
Bruce says: “For his directorial debut (we won’t count his earlier short I KILLED MY LESBIAN WIFE, HUNG HER ON A MEAT HOOK, AND NOW I HAVE A THREE-PICTURE DEAL WITH DISNEY) Ben Affleck had the good sense to draw
Chris says: “Emanuele Crialese’s film puts a novel spin on the oft-told tale of Europeans immigrating to America in the early 20th Century: instead of fixating on a traveler’s first few proud, iconic moments in the new world, THE GOLDEN
Bruce says: “This lovely, haunting film is first rate independent fare – wonderful characters, an offbeat story, and an ending that is enigmatic. Ruza came to Switzerland from Yugoslavia thirty years ago and has determinedly set about to find a