Jason says: “The easiest way to describe GRACELAND- a twistier, less philosophical take on Akira Kurosawa HIGH AND LOW- maybe does it a disservice by making it sound like it is less than its potential. That’s not particularly true; it’s
Jason says: “Even if the name of GRABBERS didn’t make one think of the monsters in TREMORS, the rest of the movie would, in the best possible way. It has the things that this sort of movie needs to succeed
Michael says: “Saw my first film at the New Directors/New Films Festival in NYC this weekend, and it was powerful. Noora is a young woman living in Iran who is in some sort of trouble. She has been barred from
Chris says: “Creativity is nebulous; what inspires and motivates us often varies maddeningly from one artist to another, making it near impossible to form a general hypothesis on how people create. And yet, certain motifs and a collective camaraderie emerges
Bruce says: “Based on the novel by Chantal Thomas, director Benoît Jacquot gives the final days of Marie Antoinette (Diane Kruger) and the Court of Louis XVI the upstairs/downstairs treatment. Events are seen and heard through the eyes and ears
Thom says: “Winterbottom, a must-see director as much for his style which isn’t all that discernable as his willingness to expand his horizons by making a variety of genres and techniques. You’ll, of course, recall his THE KILLER INSIDE ME,
Thom says: “Another outstanding winner from the ever-reliable Film Movement. This French eclair has a terrific plot with a romantic flair that often seems like the French have a lock on. Eli (Blanc) is celebrating his 60th birthday when he
Thom says: “This is the 8th version I’ve seen of my ALL-TIME favorite script. In order I’ve seen LE LIAISONS DANGEREUSES (1959, Roger Vadim, 5 CATS), DANGEROUS LIAISONS (1988, Stephen Frears, 5 CATS), VALMONT (1989, Milos Forman, 5 CATS), a
Thom says: “The first of three films I saw that had the Goddess Ms. Huppert in starring roles. And, striking a novel turn that surmounted the duality of custom & culture brought 3 stories of three different women, all played
Jason says: “THE CENTRAL PARK FIVE states the reason for its existence plainly toward the end: To in some small way close the gap between how loudly its subjects’ guilt was proclaimed twenty-odd years ago and the attention paid to